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AI art "Jester and Snake" featuring #Male, #Portrait, #Makeup, #Horns, #Jester, #Pale skin, #Ball, #snake, #Animal, #Wavy Hair and #Closed mouth
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Jester and Snake

#Male#Portrait#Makeup#Horns#Jester#Pale skin#Ball#snake#Animal#Wavy Hair#Closed mouth
Avatar image of Gaivota curiosa

Gaivota curiosa

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A tall, pale man with long, flowing hair stands solemnly, his face adorned with ghostly white jester makeup that creates an eerie contrast with his dead, hollow expression. He wears a black and white jester cap with pointed tips that droop slightly, complementing his muted, cold-toned attire. His slender fingers gently cradle a white snake coiled around his hand, its scales gleaming faintly against his pallid skin as it rests near his cheek. The background is a foggy, desaturated void, emphasizing the bleakness of the scene. His posture is rigid yet graceful, like a performer frozen mid-act. The lighting is soft but cold, casting subtle shadows that deepen the unsettling mood. The composition evokes an unsettling mix of elegance and morbidity, as if he were a forgotten specter of some twisted court.
Show Parameters
Original Prompt
1MALE, jester cap, pale, white snake, holding the snake near the face, long hair, jester makeup, neutral/cold colors, dead expression.
Quality Tag
high quality, year_2025, year_2024, ﹝Prompts﹞
Size
896 x 1152
Sampling Steps
14
Sampling Method
Euler
CFG Scale
4.5
Negative
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name

Model & LoRA used

Serin - AI Model cover image

PixAI DiT.1

Serin
4.90k

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AI artwork
b
solo, 1boy, male focus, upper body, straight-on, looking at viewer, long hair, blunt bangs, black eyes, heterochromia, makeup, lipstick, parted lips, hat, jester cap, checkered hat, diamond pattern, neck ruff, frills, puffy sleeves, black gloves, gloves, hands up, open hands, monochrome, greyscale, from below, slight foreshortening, dutch angle, head tilt, open mouth, half-closed eyes, smug, dark background, spotlight, high contrast, ink black shadows A single young man fills the frame from the waist up, shot straight-on from a low angle so the camera looks up into his face while he looks directly down the lens. The view is square to his chest: shoulders level, torso facing the viewer, head cantilevered slightly to his left so the jester cap tips and its checkered peak slides off-axis against the dark. His long hair hangs heavy and straight past the ruff, blunt bangs cut in one clean horizontal line across his brow, the mass of it tucked behind one shoulder so the ruff's frilled collar sits fully visible around his throat. His eyes are black, and the heterochromia reads only as a difference in the irises' depth — one catching the key light as a hard flat gleam, the other sunk to a matte void — both fixed on the viewer, lids lowered to a knowing half-mast. Makeup sharpens him: a dark liner wing, a shadowed lid, and lipstick glossy and deep on parted lips, a thin sliver of dark between them, one corner pulled a fraction higher into a lopsided smirk. Both arms are flung up and outward, elbows bent, forearms angled so each black-gloved hand opens toward the camera at roughly shoulder height on either side of his face — fingers spread wide, palms turned out, thumbs cocked back, every finger silhouette readable against the darkness. The glove cuffs meet the puffy sleeves, and the sleeves billow and crease at the elbow, gathering into frilled seams that catch the light along their ridges. His weight sits on his back foot, hips pushed slightly to one side, the raised shoulders tilting the ruff's frills into a small uneven flare. The checkered jester cap's diamond-lattice pattern warps and curves over the soft fabric of each drooping point, and one point swings forward past his temple with a small tilt at its tip. The only light is a single hard source from above and slightly in front, striking his brow, the bridge of his nose, the tops of the knuckles and the crests of the ruff's frills; beyond that pool the backdrop is pure seamless black, and the shadows under his chin, inside the open gloves and behind the cap's points are absolute. Everything is rendered in monochrome — no hue anywhere: white highlights on the lipstick's gloss entirely in value, the checkered pattern in flat blacks and greys, the gloves reading as near-black masses bounded by a cold rim of highlight. Fine cel-shaded line work with crisp edges and a light grain where the light falls. Theatrical, sly.
Belize

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