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AI art "Artificer's Apprentice, Scamp" featuring #Male, #Furry, #Apron, #Fingerless gloves and #Dragon Boy
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Artificer's Apprentice, Scamp

#Male#Furry#Apron#Fingerless gloves#Dragon Boy
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solo, 1boy, (adult), lizard male, orange scales, ((light blue stripes, stripped arms, stripped tail)), tan horns, vertical horns, segmented horns, light blue eyes, dark red hair, slicked back mohawk, lean body, black claws, dragon tail, grinning, showing teeth, artificer, goggles, brown leather apron, navy blue jumpsuit underneath, rolled up sleeves, fingerless gloves, tool belt, red scarf around neck, one hand on head, goggles on head, one hand on hip, standing, looking at viewer, mechanic garage, half built machinery in the background, full body, megascaly, ((scales)), megascaly, ((scales))
Show Parameters
Original Prompt
solo, 1 boy, (adult), lizard male, orange scales, ((light blue stripes, stripped arms, stripped tail)), tan horns, vertical horns, segmented horns, light blue eyes, dark red hair, slicked back mohawk, lean body, black claws, dragon tail, grinning, showing teeth, artificer, goggles, brown leather apron, navy blue jumpsuit underneath, rolled up sleeves, fingerless gloves, tool belt, red scarf around neck, one hand on head, goggles on head, one hand on hip, standing, looking at viewer, mechanic garage, half built machinery in the background, full body, megascaly, ((scales)),
Size
1024 x 1024
Sampling Steps
20
Sampling Method
Euler a
CFG Scale
4.5
Negative
human, multiple tails, modern, recent, old, oldest, graphic, cartoon, text, painting, crayon, graphite, abstract, glitch, deformed, mutated, ugly, disfigured, long body, lowres, bad anatomy, bad hands, missing fingers, extra digits, fewer digits, cropped, very displeasing, (worst quality, bad quality:1.2), bad anatomy, sketch, jpeg artifacts, signature, watermark, username, simple background, conjoined, bad ai-generated, ears
Face Fix
HiRes

Model & LoRA used

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AI artwork
at
1boy, solo, male dragon, anthropomorphic dragon, reptilian, thick overlapping scales, sturdy broad-shouldered build, muscular, tall, leaning, leaning against door, leaning on doorframe, shoulder against the door frame, arms crossed, head tilted, one eye closed, lopsided smirk, looking at viewer, half-closed eyes, sharp teeth visible in the smirk, long thick tail, tail curling around his right ankle, claws, clawed hands, digitigrade legs, flannel shirt, red and black checkered flannel shirt, rolled-up sleeves, sleeves rolled to the elbows, denim overalls, indigo overalls, heavy-duty denim, overall straps over the flannel, work boots, scuffed leather work boots, full body, cowboy shot, from below, dutch angle, low camera, doorway, weathered wooden door, door slightly ajar behind him, one warm interior light source, no shirt pocket pencil, no watch, no earrings, no jewellery, no hair ornaments, nothing at the throat, bare throat scales, no hat, no extra people, clean uncluttered background The camera sits low and tilted a few degrees off level, looking up at him: he fills the frame vertically, a broad-shouldered anthropomorphic dragon in his prime leaning back against a weathered plank door set in a plain timber frame, the door shut but for a hand's width of dark gap along its hinge edge. His weight is all on his right leg, that hip and the outside of his right shoulder pressed flat against the door panels, right boot planted under him, left leg crossed loosely in front of the right ankle, left toe resting on the floorboards. His thick scaled tail sweeps down behind that standing leg and curls once around his right heel, resting on the boards. Both arms are folded high across his chest, each clawed hand gripping the opposite forearm so the red and black checkered flannel bunches and rides up, its sleeves shoved back to the elbows and the rolled cuffs sitting tight above the forearms; indigo denim overalls, heavy and stiff at the bib, strap over each shoulder and brass buckle glinting on the left one, the fabric creasing where his shoulder digs into the wood. His head tips toward his right shoulder, chin low, one eye shut in a lazy wink and the other half-lidded and aimed straight down the lens, a lopsided smirk pulling one side of his jaw so a single row of sharp teeth shows; the ridge of scales along his brow lifts on the open-eye side. Light comes only from the gap at the hinge — a warm, low interior glow that rakes from behind-left along his right cheek, shoulder and the edge of the door, throwing a soft hard-edged rim down his scales while the front of his chest, the flannel and the dark under his jaw fall into cool shadow; the floorboards are lit only as a thin wedge leaking through that same gap. Palette: red, black and indigo against weathered warm browns and a dim interior ochre, nothing else admitted. The door's dark gap brightens and dims by a hair as something moves inside, and his slack shoulder lets the door give a few millimetres — the hinge creaks into the frame in answer. Effortlessly cool.
Alexander Toner

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