Show Parameters
- Size
- 1280 x 768
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 5.5
- Negative
- nsfw, worst quality, low quality, too many fingers, fused fingers, missing arms, missing fingers, bad anatomy, bad hands, text, signature, artist name, watermark, nsfw, username, error, missing fingers, extra digit, fewer digits, disfigured, jpeg artifacts, cropped, blurry, mutation, deformed, dehydrated, bad proportions, disfigured, gross proportions, nsfw, malformed limbs, long neck, duplicate, ugly
Face Fix
Model & LoRA used
Similar Images
Show more
ไธๆญป้ณฅ
ใ
ๅๅฝๆตๅทซๅฅณ็ใใชใ่ก(southern wind miko)
ใใใกใผ
character: hiyuki_(wuthering_waves)
sole focus, extreme close-up on soles, soles in extreme foreground, bare feet, barefoot, soles visible, foot focus, from below, from feet, looking at viewer, over shoulder, looking back, lying on side, on bed, pillow, head on pillow, knees bent, legs apart, toes curled, one foot toes curled, other foot toes spread, spread toes, red toenails, red nail polish, greek foot, second toe longest, slender feet, delicate ankles, fair skin, matte skin, dry skin, long white hair, grey-white hair, high ponytail, sidelocks, red eyes, hair ribbon, off-shoulder white kimono, red accents, patterned fabric, bare shoulders, mature female, wide hips, seductive gaze, half-closed eyes, parted lips, 1girl, solo, high detail skin, detailed fabric, strong foreshortening, bright indoor lighting, daylight room, seductive, soft
The camera sits low at the foot of the bed, tilted up along the length of her body, so the two soles fill the near foreground as huge soft shapes and the rest of her recedes into foreshortened depth behind them. Both heels press down into the pale mattress, sinking a shallow dimple into the linen, and the near foot turns its sole almost square to the lens: her toes are curled tight, the pads furrowed and the red polish catching light on the crimped nails, the arch a clean taut curve, the second toe standing longest above the curled row โ a Greek foot read clearly even folded. The far foot lies a little deeper in the frame with its toes fanned wide, each toe separated by a dark sliver of shadow, the same red lacquer on every nail, and its ankle rolls outward so the tendon ridge shows under the matte, dry, fair skin โ no sheen anywhere, the surface powder-soft and even, every crease and the faint cross-hatching of the sole drawn crisp. Between and behind the feet her legs bend at the knees and fall apart, thighs foreshortened into broad shapes, the fabric of her white-and-red outfit pulled taut over full mature hips in fine woven detail โ red patterned bands and embroidered motifs running over white cloth, the seam strain and small fold shadows rendered thread by thread. Her torso twists to one side, one shoulder bared where the off-shoulder collar has slipped, and her head rests sideways on a soft pillow, white-grey hair spilling across it in loose strands, the high ponytail and long sidelocks falling over the pillow edge, one ribbon and hair ornament catching the light near her temple. She looks back at the lens over her shoulder: chin turned, red eyes half-lidded and steady, lips slightly parted, one brow faintly lifted โ a slow, knowing seduction rather than a smile. Bright daylight floods in from a window high on the left, so the tops of her soles and the ridge of her shoulder take a warm even glow, while soft cool shadow pools in the gaps between her toes, under the arch of the near foot, and beneath her hip where the mattress gives way; the light is diffuse and shadowless-edged, a bright airy room with a hint of pale wall and sheer curtain blurred far behind. Palette held to white, warm fair skin, and red โ red nails, red pattern in the cloth, red eyes โ nothing else intruding. Intimate, languid.
๊งโฟ ๐ฎ๐๐๐
๐ณ๐๐๐ โฟ๊ง
e
1girl, pale blonde hair, violet eyes, wedding kimono, bare feet, soles, toes, leg up, foot focus, toenails polish, toenails, hips, masterpiece, Art by Puffypinkpaws, Puffypinkpaws art style, feetfocusILL
Erik
Recommended Users
You might like
yoimiya!
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
Mine / ็งใฎใใฎ
ใฟใผใกใใ
โฆ โ โน ๐
(mai)
โโโฆโ๐๐๐! ๐๐จ๐ฎ ๐ฐ๐๐ง๐ง๐ ๐๐จ๐ฆ๐ ๐ข๐ง?โฌฉโคโ
๐๐ข๐๐๐โ็งๅณ ้ฌผ็ซ~๐ป
the queen
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
the lancer
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
๐ตSurtur
helanx
ใใทใฅ
Atlas
Sakura Chiyono O: A Springtime Portrait
AfterThoughts
Love live! School idol maid - Hanayo koizumi
AMnatsu
์์
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
์๋ญ์ง ์๋์ ๋ค์ ๋ถ๊ณ๋ง๋ฌ
๐ง๐
Janet reno
เป๊ฑยท ๏พโผ๏ธ
็้ญ2(Raw Fish 2)
Gojo & Geto's Playful Selfie! โจ
Momo
The Empress of the Violet Abyss ๐๐
wisely
๐ป ๐ฌ ๐
(mai)
โโบโโ๐ช๐ฏ๏ธโโบโโ
(mai)
(โ -โ _โ -โ )โ ๐ฌโก๏ธ
(mai)
(ใฃ.โ แด โ.)ใฃ๐ซง๐
(mai)
๐ฉ๏ธโ๐พ(โ โธโธโ แตโ แดโ แตโ โธโธโ )โ โณ๏ธ
(mai)
โ
(mai)
่่ฝฆ
ๆ็ฉบsky
1
โ โง ๐ ๐งฃ ๐ โง
(mai)
โ (โ *โ หโ ๏ธถโ หโ *โ )โ .โ ๏ฝกโ *โ โก ๐ โ
(mai)
Comments