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- Original Prompt
- a3gislash, one eye, tassel arms, pokemon (creature), purple eyes, no humans, holding shield, shield on body, shiny pokemon,red santa outfit, fluffy white fur trim, big white pom-poms, festive ribbon accents, winter-themed design, warm and soft texture, detailed fabric folds, classic red santa hat with fluffy white trim and pom-pom, cozy winter atmosphere, high-quality illustration, soft lighting, light snowfall, christmas vibe, ,christmas tree, christmas decoration, christmas ornaments
- Size
- 768 x 1280
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Model & LoRA used
Similar Images
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Aegislash
Piñasinpizza
character: mega_delphox
Mega Delphox, pokemon, (((Beautiful background))), (4k, 8k, Ultra HD), (Masterpiece), (Best quality), (High detailed), prism feather, prism, feather, a rainbow-like sparkle, mother-of-pearl inlay pattern
Dephoxoo
妄w
ザマゼンタ 2026/9/23
妄想龍 with mie
character: aegislash, hex_maniac_(pokemon_xy), copyright: pokemon
cgptbg, sharp lines, vivid colors, high contrast, ink strokes, cinematic lighting, cinematic angle, Hex Maniac from Pokémon Generation VI X/Y, with Aegislash, ordinary non-shiny Shield Forme.
Vertical fanart illustration, exact 1:2 aspect ratio. One human and one Aegislash, ordinary non-shiny Shield Forme, together in a richly detailed quiet setting. No other people or creatures.
Pale wide-eyed face with dark shadowed eye surrounds, immense long irregular dark blue-violet hair, a heavy asymmetric fringe partly obscuring one eye, and a narrow purple headband. Preserve the source-compatible facial construction and body proportions, with ordinary natural posture and unchanged clothing coverage.
Human on viewer-left: standing at ease beside a stone window pier, shoulders in three-quarter turn, face and knowing asymmetric smile toward viewer, one relaxed gloved hand at her side. Wardrobe: original château-goth dress: tailored plum bodice with opaque high lace collar, long bishop sleeves, black mid-calf layered skirt, narrow antique-gold waist trim, dark gloves and boots. Fully covered opaque clothing with the high collar closed.
Aegislash: hovering upright viewer-right close to her at shoulder level, shield held in canonical Shield Forme; intact sword/shield relationship. Single upright sword body, gold pointed hilt/crown and guard, central purple eye. One round gold/tan shield directly centered in front of blade; three dark curled shield motifs with pale circular centers. Two black ribbon arms bend outward and back inward; lavender fan-like finger ends flank lower shield. Pale silver lower blade tip remains visible below shield; shield-forward defensive arrangement, not a sword-wielding humanoid. Natural species stature is 1.7 m; preserve believable relative presence without forcing both subjects into equal height or shrinking the pair to fit.
Camera and framing: slightly elevated diagonal gallery view, restrained clockwise Dutch roll, knee-up portrait. Keep both faces clear and the paired silhouettes close; allow natural overlap and the stated crop. Use the architectural or tree verticals to make the gentle camera roll legible, not a distorted body lean.
Setting: Parfum Palace-inspired disused château gallery, tall blue stained-glass windows, worn limestone, gilt empty frames, cracked patterned floor receding into shadow; invented side wing. Light and atmosphere: visible upper-right stained-glass window admitting late-afternoon sunlight, sapphire and amber reflected light across floor and metal; illuminated dust in shaft, near-lens defocused glass reflection. The source-facing edges receive narrow light; crisp cast and contact shadows ground the figures.
Keep the stone pier close enough to anchor her stance while the gallery diagonals lead beyond the pair. Give the tall stained-glass panes distinct lead cames and sapphire facets, the limestone crisp worn edges, and the empty gilt frames selective sharp glints. The layered skirt and bishop sleeves keep their opaque coverage and tailored construction; the lace collar is backed by opaque fabric. On the sword and shield use small precisely placed graphic metal highlights that preserve the defensive silhouette. The abandoned rooms feel quiet and inhabited by memory, not a battle arena.
Glassy Anime treatment: crystalline sapphire-and-amber accents, immaculate drawn contours, deliberate hard-edged cel-shadow planes and precise bounded reflections on glass, gilding and sword metal. Cloth and skin retain graphic anime surfaces; the gallery carries the ornate reflective detail rather than turning the characters into glass. Source-motivated narrow rims and small graphic highlights remain separate from the hard cel shadows. Gradients belong only to far atmosphere and luminous falloff, not diffuse shading on the subjects.
Zekyure
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
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