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撮影会

八代護、セクシーポーズ

#Shrine maiden
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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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character: hakozaki_serika, copyright: idolmaster_million_live! 1girl, solo, hakozaki_serika, brown hair, very long hair, twintails, ahoge, brown eyes, miko outfit, white haori, red hakama, extremely short hakama, miniskirt, thigh strap-free bare thighs, holding down skirt, both hands pressing hem down at front of thighs, embarrassed, blush, holding back tears, tears welling at lower lash line, trembling lip, smiling at viewer, forced smile, closed mouth smile, looking at viewer, photographer, camera, being photographed, studio photography set, seamless white paper backdrop, softbox lighting, from below, cowboy shot, standing, knees pressed together, leaning back slightly, head tilt, dutch angle Composed from a low, slightly tilted three-quarter angle, the figure stands on seamless white studio paper that curves up into an endless backdrop behind her, the camera looking up so that her pressed-together knees and the tiny red hem dominate the lower third of the frame while her face sits small and bright near the top. She is caught mid-shift: weight on her right leg, left knee bent and tucked behind it, hips angled away from the lens while her shoulders roll forward, her whole body trying to make itself smaller. Long brown hair falls in two high twintails past her waist, a single thin ahoge lifting off the crown, the ends swinging forward over her shoulders as she leans; loose strands cling to her flushed cheeks. She wears a shrine-maiden outfit with the hakama cut to the absolute limit: a white haori with wide stiff sleeves over a red kimono collar, and a red hakama so short it reads as a pleated miniskirt, its front panel barely covering the tops of her bare thighs, the long white ties knotted at her waist swinging free. Both hands drag the hem down hard in front of her thighs, fingers curled into the pleats, knuckles pale with the effort, thumbs hooked over the fabric edge so it strains taut and a sliver of white underlayer shows at the centre; her wrists cross low, elbows clamped to her ribs. Her face is a fight between two instructions: a smile is fixed on her mouth, closed lips pressed into a small upward curve, cheeks burning bright red all the way to the ears, while tears stand along her lower lashes, one already sliding a glossy line down her right cheek; eyebrows slant upward at the inner ends. Her eyes are locked straight into the lens, apology and effort in them, not looking anywhere else. In the near foreground the photographer's hands and a black camera body break the bottom-right frame edge, lens pointed at her, the shutter-side of the camera catching a flare of light -- a small bright reversal of the softbox in the glass. The set's key is a large softbox high on the left, wrapping her face and the tops of her thighs with warm white, a white bounce card low front lifting a faint fill under her chin; the shadows behind her fall soft and short to the right on the paper sweep. Palette is white, red and warm brown skin tones, with black only in the camera and her eyes. Her reflection is muted in the glossy paper floor, softer and a shade darker than her. Quietly mortified, tender.
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