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- Original Prompt
- A young girl sitting comfortably on the edge of a bed, wearing comfortable clothes, gently and tenderly hugging a soft, plain pillow to her chest like she is cradling a baby, looking down at the pillow with a warm, loving expression, soft interior lighting, cozy bedroom, anime style, (masterpiece, best quality, highly detailed, beautiful detailed eyes), ,Nanase Kurumi, medium hair,brown hair,sidelocks,blunt bangs,brown eyes, collarbone,hood down,black hoodie,sleeves past wrists,medium breasts,,no pants,black thighhighs,
- Size
- 1280 x 768
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 5.5
- Negative
- nsfw, worst quality, low quality, too many fingers, fused fingers, missing arms, missing fingers, bad anatomy, bad hands, text, signature, artist name, watermark, nsfw, username, error, missing fingers, extra digit, fewer digits, disfigured, jpeg artifacts, cropped, blurry, mutation, deformed, dehydrated, bad proportions, disfigured, gross proportions, nsfw, malformed limbs, long neck, duplicate, ugly
Model & LoRA used
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Aice
1girl, solo, from below, floor level, extreme low angle, worm's-eye view, looking down at viewer, tareme, droopy eyes, chestnut brown hair, semi-long hair, small braid on left side, white flower hairpin, blush, flustered, embarrassed, shy, half-closed eyes, looking away, beige knit sweater dress, off-shoulder, long sleeves, moe sleeves, sleeves past fingers, fingertips only, black tights, semi-matte tights, barefoot, no shoes, sitting, one knee raised, knee up, left arm on knee, hand on own cheek, indoors, cozy room, wooden furniture, cream-colored rug, warm lighting, warm palette, slightly mature
The camera sits at floor level in extreme worm's-eye view, tilted upward so the cream rug sweeps across the bottom of the frame and the girl towers above the lens. She sits on the rug with her weight settled back on her right hip, her right leg folded flat beneath her, and her left knee raised high toward the camera; the black tights stretch taut and semi-matte over the raised shin and thigh, catching a soft sheen along the front edge while the fabric stays flat and unreflective in the shadow beneath her knee. Her left forearm rests across the top of that raised knee, and from it her hand tilts inward so the fingertips -- the only skin of the hand visible -- press lightly against her left cheek, while the long beige knit sleeve bunches at her wrist and falls over the back of her hand, its ribbed cuff swallowing all but those fingertips. Her right arm is tucked low across her lap, its sleeve-muffled hand disappearing under the hem of the sweater dress. The dress is a beige chunky knit worn off the shoulders, its wide ribbed neckline slipping down both upper arms and leaving her collarbones and bare shoulders exposed; the hem falls across her lap, and the loose knit sleeves hang in soft folds, dragging slightly as gravity pulls them toward the floor from this very low viewpoint.
Her chestnut brown semi-long hair falls loosely around her shoulders, the small braid on the left side dropping forward past her jaw so its weave and the tiny white flower hairpin sit close beside her blushing cheek; the blunt front strands hang down around her face. Her droopy eyes are half-lowered and glance off to the side, away from the lens, lashes heavy and lids relaxed; her cheeks are flushed warm pink, her brows lift at the inner ends, and her lips are parted a little in a wavering, breath-held line, chin dipped toward her drawn-in shoulder. From beneath her, the raised knee shades the tights in front of her ribs, while the warm light catches the top of her face and the near shoulder.
The room behind and around her is warm-toned: a low wooden table with visible grain sits to the left, a wooden cabinet with rounded edges stands back to the right, and the cream rug bunches soft under her folded leg and raised foot, its pile pressed flat where her hip and heel rest. A single warm lamp off-frame to the upper right is the only light; it washes the wood in amber, leaves the underside of the table and the far corner of the room in deep warm shadow, and throws her long soft shadow back across the rug behind her, the shadow shortening and darkening as it climbs the wall.
Palette held to warm cream, beige, chestnut brown, honeyed amber light and the flat black of the tights, with the single small white of the flower pin as the brightest point in the frame. Knit texture and the matte-sheen weave of the tights carry the detail budget, along with the flush on her cheeks and the fingertips at her face. Warm, pure, faintly wistful.
むぎ
水本ゆかり
shinsaku
1girl, solo, droopy eyes, tareme, chestnut brown hair, semi-long hair, small braid on left side, tiny white flower hairpin, beige off-shoulder knit sweater dress, off-shoulder, long sleeves, moe sleeves, sleeves past wrists, fingertips only, semi-matte black tights, barefoot, no shoes, completely bare feet, sitting, one knee raised, left arm resting on knee, hand on own cheek, light touch, blush, flustered, embarrassed, shy, looking away, looking down, half-closed eyes, parted lips, from below, extreme low angle, foreshortening, dutch angle, floor level, close-up on legs and torso, indoors, cozy room, wooden furniture, cream-colored rug, soft warm lighting, warm palette.
A hyper-extreme low-angle view from floor level, the lens set down on the cream rug right beside her legs and tilted sharply upward along a dramatic diagonal that runs from her bare toes in the near foreground up across her raised knee to her face. Perspective explodes the near foot: the toes of her left foot -- bare, skin warm and matte under the tights-free edge at the ankle -- loom large at the lower left of the frame, the semi-matte black tights stretching taut over the dorsum and catching a soft narrow highlight along the shin as the leg rises away from the lens. Her right leg folds under her on the rug, the sole tucked back and partly self-occluded by the calf; the raised left knee fills the center-left of the frame, the beige knit of the sweater dress pulled up over it in chunky ribbed folds, the hem bunched where thigh meets rug. She sits with her weight sunk back on her right hip, spine settled into a slight slump, shoulders drawn in and lifted a little as though she would like to make herself smaller. From this angle the off-shoulder neckline reads mostly as the underside of her collarbones and the loose beige knit sagging off one shoulder, the bare line of her shoulder exposed and cool-looking; her chestnut brown semi-long hair falls forward past her jaw, and on the left side of her head a small tight braid runs back from her temple, the tiny white flower hairpin clipped at its end and turned slightly away from the lens so it reads as a small pale bud against the brown. Her left arm comes up over the raised knee, the long moe sleeve sliding back down the forearm in a soft beige bunch at the elbow so that her hand emerges at the wrist, only the fingertips showing beyond the cuff; the fingertips rest lightly on her cheek, indenting the soft skin just at the apple, the cuff itself brushing her jaw. Her right hand is lost inside the other sleeve, that sleeve's empty tip pressed against the rug beside her hip as a small prop of weight. Her droopy eyes are lowered and angled off to the side away from the lens, lids heavy and lashes long, the lower lash line wet-looking; her brows pull up at the inner ends, her lips parted a fraction around a held breath, and a deep even blush spreads across both cheeks and the bridge of her nose, warm and saturate against the pale skin. The room behind and above her is cozy and warm-toned: a low wooden sideboard with a visible drawer line and turned legs sits along the wall in the midground, a wooden chair back cutting a dark diagonal near the right edge, the cream rug textured with a faint woven pile that scuffs where her heels have shifted. The light is a single soft warm source from a lamp off-frame high and behind her left shoulder, so it rims the top of her knee and the crown of her hair and lays a long soft-edged shadow of her raised leg diagonally across the rug toward the lens; the shadow is darker and softer than the leg itself, and the underside of her jaw, the hollow of her neck and the space between dress hem and thigh fall into gentle warm shadow. Palette of beige, cream, chestnut brown and warm amber light, with the black tights and the pink of her blush the only strong notes. Quiet, tender, a little embarrassed.
むぎ
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