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AI art "환상적인 석양 풍경" featuring #Scenery, #Evening and #Mountain
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환상적인 석양 풍경

이 그림 속 석양은 정말 제 마음을 사로잡았어요. 붉게 물든 하늘과 따뜻한 분위기가 너무 좋아서, 한참 동안 감상하게 되네요. 앞으로도 이런 감성을 담은 작품들을 계속 보여드릴 테니 좋아요와 팔로우 잊지말기! 마세요! 여러분의 댓글도 기대할게요~

#Scenery#Evening#Mountain
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A breathtaking anime-style sunset scene where the sky is ablaze with warm hues of orange, pink, and purple as the sun dips below the horizon. Wispy clouds catch the fading light, creating a painterly gradient across the vast expanse. The silhouettes of distant trees and rolling hills stand against the vibrant sky, their forms simplified yet evocative. The sun's reflection glimmers across a calm body of water in the foreground, creating a shimmering path of golden light. The atmosphere is peaceful yet dramatic, with delicate birds flying in formation across the colorful sky. The scene captures that magical transition between day and night, evoking a sense of nostalgia and serene beauty.
Show Parameters
Original Prompt
노을이 지고있다
Quality Tag
high quality, year_2025, year_2024, ﹝Prompts﹞
Size
1024 x 497
Sampling Steps
25
Sampling Method
Euler
CFG Scale
4.5
Negative
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

Model & LoRA used

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AI artwork
bc
sky only, no humans, no ground, no horizon line, from below, looking up, sunset, after rain, after storm, sunlight breaking through clouds, cloudy sky, gradient sky, yellow orange and pink gradient sunset, detailed lineart, anime coloring, anime screencap, wide shot, cloudscape, cumulonimbus, stratocumulus, backlighting, rim light, god rays, crepuscular rays, sunbeams, sun low behind cloud bank, broken cloud cover, wet air haze, luminous gradient, warm light, cool shadow, pink clouds, orange clouds, yellow glow, violet underside, high detail clouds, atmospheric perspective, The whole frame is sky and nothing else: the camera lies on its back and looks straight up, so no ground, no rooftop, no treeline and no figure ever enters the rectangle — only cloud from edge to edge, tilted so the deepest part of the storm recedes toward the upper left and the clearing opens toward the lower right. A heavy bank of cumulonimbus still occupies the upper half, its body a bruised violet-grey with a warm dusty rose along the tops where the last light grazes it; the underbellies are dark, and the rain has only just stopped, so their edges are soft and smeared rather than crisp. Below and across the middle, torn stratocumulus is breaking apart into separate ragged sheets with clear air showing between them, and those gaps are where the sunset lives: a graded wash running yellow at the low warm edge through orange into pink, deepening to a cooler lilac where the cloud thins. The low sun sits behind the thickest remaining mass at the lower right; distinct shafts of light push through the ragged holes above it and fan upward and outward in slanted cones, brightest and narrowest at the gaps and dissolving into haze as they travel, and each shaft is visibly three-dimensional, with a lit near face and a shadowed far side. Where a shaft crosses a cloud edge it lights that edge in gold and leaves the cloud's body in shade; the light never comes from nowhere and every bright patch has a hole above it to explain it. Thin veils of leftover rain-haze still drift in the middle distance, so the far cloud tops are paler and lower in contrast than the near torn edges, and one small detached cloud fragment glows far brighter than anything around it because it is thin enough to be lit from behind — the whole sky turning on that one translucency. Colour is disciplined to three notes and their shadow versions: yellow, orange, pink, with violet-grey reserved strictly for shadowed cloud bodies; no green, no blue sky, no black. Lineart is fine and detailed, drawing thousands of small scalloped cloud contours and curling edge fronds, and colour sits under that linework in clean anime screencap shading — flat cel planes for the shadowed masses, soft gradients inside the lit ones, crisp highlight bands along the sun-facing rims. Quiet, lifting after-storm calm.
Batlancas C

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