Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

松屋コラボ

#Chiikawa#Chiikawa
More to See

Comments

Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
Hidden by author

Model & LoRA used

Similar Images

Show more
AI artwork
d
comparison chart, 3mascots, horizontal layout, triptych, straight-on, full body, era comparison, split screen, column layout, partitioned, white background, retro mascot, yuru-chara, modern minimalist mascot, distinct art styles, japanese text, studio lighting, full color A clean horizontal three-column visual comparison chart displays three archetypal mascot figures side by side against an off-white presentation surface, each partitioned by a subtle vertical dividing rule and crowned by a bold era banner. Above the entire composition, a neat navy blue header reads "マスコット比較". In the left column, under a bold block-letter header plate reading "昭和", stands an archetypal Showa-era corporate mascot: a stout, anthropomorphic tiger cub drawn with bold black contour lines and saturated mid-century primary colours. It has perfectly circular glossy black eyes with crisp pinhole specular highlights, a wide crescent grin with a visible pink tongue, a round yellow belly, and wears a tilted red peaked service cap on its head and a diagonal yellow ceremonial sash pinned across its chest from right shoulder to left hip. The figure strikes a stiff, energetic march pose with its right paw locked in a sharp salute at its temple and its left knee hoisted high, casting a hard-edged flat oval shadow onto the floor, rendered in the warm, slightly warm-tinted screen-printed ink style of 1970s print media. In the center column, under a bubbly, multi-colored rounded title banner reading "平成", stands an iconic Heisei-era regional "yuru-chara" mascot: an intentionally clumsy, pear-shaped plush creature resembling a plump white rice dumpling. Its face features widely spaced, asymmetrical black bead eyes, flushed spiral-pink felt patches on wide squishy cheeks, and a wobbly, hand-stitched squiggle for a mouth. Balanced precariously atop its oversized head is an elaborate costume headpiece shaped like a glazed ceramic ramen bowl filled with sculpted broth, wavy yellow noodles, and felt naruto fishcake slices. The figure wears an oversized lime-green festival happi coat with wide bell sleeves, standing pigeon-toed with both stubby fabric-covered hands splayed outward in an awkward, endearing double-wave. Visible compression creases and stitched seams wrinkle around its thick fabric ankles where the mascot suit gathers under its own weight. In the right column, beneath a sleek, minimalist modern sans-serif label reading "令和", sits a contemporary Reiwa-era digital-age mascot: an ultra-simplified, squishy teardrop-shaped creature with powdery lavender and milky-cream gradient tones. Its face features tiny, minimalist vector-thin dot eyes with faint drooping upper lids, rosy diffused peach airbrushing across its smooth face, and a tiny downturned line mouth expressing a quietly exhausted yet adorable deadpan mood. The creature sits flat on the floor with its stubby, jointless legs extended straight forward, clasping a tiny glowing smartphone between both hands against its chest; a faint cool-toned blue light from the smartphone screen washes across the underside of its chin and stubby paws. The lighting is balanced studio exhibition light from above, producing distinct contact shadows tailored to each era's medium: flat graphic black beneath the Showa mascot, soft diffuse contact shading around the Heisei plush feet, and gentle ambient gradient occlusion under the smooth Reiwa creature. Instructive, nostalgic, playfully analytical.
ddd
AI artwork
d
comparison chart, 3mascots, horizontal layout, triptych, straight-on, full body, era comparison, split screen, column layout, partitioned, white background, retro mascot, yuru-chara, modern minimalist mascot, distinct art styles, japanese text, studio lighting, full color A clean horizontal three-column visual comparison chart displays three archetypal mascot figures side by side against an off-white presentation surface, each partitioned by a subtle vertical dividing rule and crowned by a bold era banner. Above the entire composition, a neat navy blue header reads "マスコット比較". In the left column, under a bold block-letter header plate reading "昭和", stands an archetypal Showa-era corporate mascot: a stout, anthropomorphic tiger cub drawn with bold black contour lines and saturated mid-century primary colours. It has perfectly circular glossy black eyes with crisp pinhole specular highlights, a wide crescent grin with a visible pink tongue, a round yellow belly, and wears a tilted red peaked service cap on its head and a diagonal yellow ceremonial sash pinned across its chest from right shoulder to left hip. The figure strikes a stiff, energetic march pose with its right paw locked in a sharp salute at its temple and its left knee hoisted high, casting a hard-edged flat oval shadow onto the floor, rendered in the warm, slightly warm-tinted screen-printed ink style of 1970s print media. In the center column, under a bubbly, multi-colored rounded title banner reading "平成", stands an iconic Heisei-era regional "yuru-chara" mascot: an intentionally clumsy, pear-shaped plush creature resembling a plump white rice dumpling. Its face features widely spaced, asymmetrical black bead eyes, flushed spiral-pink felt patches on wide squishy cheeks, and a wobbly, hand-stitched squiggle for a mouth. Balanced precariously atop its oversized head is an elaborate costume headpiece shaped like a glazed ceramic ramen bowl filled with sculpted broth, wavy yellow noodles, and felt naruto fishcake slices. The figure wears an oversized lime-green festival happi coat with wide bell sleeves, standing pigeon-toed with both stubby fabric-covered hands splayed outward in an awkward, endearing double-wave. Visible compression creases and stitched seams wrinkle around its thick fabric ankles where the mascot suit gathers under its own weight. In the right column, beneath a sleek, minimalist modern sans-serif label reading "令和", sits a contemporary Reiwa-era digital-age mascot: an ultra-simplified, squishy teardrop-shaped creature with powdery lavender and milky-cream gradient tones. Its face features tiny, minimalist vector-thin dot eyes with faint drooping upper lids, rosy diffused peach airbrushing across its smooth face, and a tiny downturned line mouth expressing a quietly exhausted yet adorable deadpan mood. The creature sits flat on the floor with its stubby, jointless legs extended straight forward, clasping a tiny glowing smartphone between both hands against its chest; a faint cool-toned blue light from the smartphone screen washes across the underside of its chin and stubby paws. The lighting is balanced studio exhibition light from above, producing distinct contact shadows tailored to each era's medium: flat graphic black beneath the Showa mascot, soft diffuse contact shading around the Heisei plush feet, and gentle ambient gradient occlusion under the smooth Reiwa creature. Instructive, nostalgic, playfully analytical.
ddd

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬