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Ai enthusiat 101
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- Size
- 768 x 1280
- Sampling Steps
- 26
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
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For this character, I'd go for a soft, doll-like, dreamy appearance that contrasts with how other people perceive and treat her.
* Face: Round cheeks, soft features, a small nose, and naturally rosy lips.
* Eyes: Large, round, slightly dreamy eyes in pastel blue, hazel, or warm brown. A gentle, absent-minded gaze.
* Hair: Fluffy, soft-textured hair in honey blonde, light brown, or strawberry blonde. Slightly messy hairstyles, loose strands, or simple ribbons.
* Expression: A sweet, open smile; a slightly confused look when she loses her train of thought; an almost perpetually curious expression.
* Build: Soft, natural proportions and relaxed body language rather than exaggerated features.
* Clothing: Pastel cardigans, oversized sweaters, delicate blouses, pleated skirts, Mary Janes, and little hair accessories.
* Details: A tiny beauty mark, freckles across her nose, glossy eyes, or a habit of absent-mindedly playing with her sleeves.
* Overall aesthetic: Soft coquette meets innocent daydreamer — gentle colors, delicate textures, and a slightly disheveled, unpolished charm.
The key character-design detail: Her appearance should communicate warmth, trust, and distractibility, rather than implying that she is unintelligent or incapable of making decisions. The nickname “Bimbo” could reflect other characters' unfair assumptions about her, not who she actually is.
That contrast could make her especially interesting: she looks like someone from a sweet, innocent fairytale, while the people around her project their own intentions onto her., 3d, game cg, best quality, smooth, wuwa cutscene, high detail, clean large hair clumps, anisotropic hair highlights, clean hair silhouette, (((softer hair lines))), hugeboltons, gigantic chest, perfectly round chest, chest implants, lifted chest, bimbo chest, unnaturally perky chest, a woman with extremely large and fake looking chest, her chest are perfectly round and perky silicone spheres, 2000s moe-style, heisei retro, pastel colors
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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