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View details二葉つくし
Show Parameters
- Original Prompt
- futaba tsukushi, twintails ,Cine, vibrant colors, vivid colors, detailed backgrounds, detailed landscape, cinematic lighting, perspective and depth, shades, reflections, rain, raindrops, night, dark, floating hair, person floating, glitter effect, dynamic pose, strong wind blowing , magic circles ,anime eyes, douyin eyes, detailed eyes, high detail eyes, multicolored iris, detailed iris, full lashes, dark lashes,
- Size
- 512 x 768
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, (nsfw:1.2), (nude:1.6), (nipple:1.2), naked
Model & LoRA used
Similar Images
Show moreh7
hato#7972
h7
hato#7972
マイモデル使ったら何故かメンヘラになる
リノ
a
artist: konya_karasue, h4sh1rnoto, modare, nanoka_san, nanoka-san
1girl, solo, upper body, looking at viewer, long straight black hair, hime cut, blunt bangs, blunt-ended sidelocks, black hair, pale skin, cold white skin, purple eyes, violet eyes, gradient eyes, detailed eyes, rich outfit, blurred background, depth of field, detailed environment, cinematic lighting, backlighting, volumetric light, floating particles,
The camera sits just below her eye level and close in, an upper-body framing that crops her at the waist and lets her head fill the upper third of the frame. She is turned a quarter away from the lens with her right shoulder forward, chin tipped down and slightly toward that shoulder, and her eyes come back across the frame to meet the viewer directly — a steady, unhurried look from under lowered lids, the corners of her mouth barely lifted on one side. Her long straight black hair falls in a heavy, unbroken sheet past her shoulders, the blunt bangs cut dead straight a finger's width above her brows, and the blunt-ended sidelocks fall in two clean vertical planes framing her cheeks so the cut reads as three deliberate flat edges rather than strands. Her skin is cold white, almost bloodless, so the faint warmth at the tips of her ears and the bridge of her nose is the only colour in it. Her eyes are the one saturated thing she owns: deep violet at the outer iris shading to a pale lilac around the pupil, with a small hard catchlight in each and a soft reflected glow bleeding into the lower half, so the gradient is visible even at this distance.
She wears a rich outfit — a high-collared dark coat in deep indigo wool cut close at the shoulders with a narrow standing collar, an under-layer of ivory silk showing at the throat and cuffs, and a braided cord in muted gold running from the collar edge to a small buckle at the chest. Her left hand is lifted to that collar, two fingers hooked just inside it as though she has only this second turned to look; her right arm hangs loose, the sleeve's weight pulling the cuff down over the back of her hand. A strand of hair has slipped free of the sidelock plane on the far side and lies across the ivory silk.
Behind her the world is out of focus but never empty: a night street rendered with the depth and material weight of a real place — wet stone paving throwing back smeared reflections, a stone lantern's square window glowing amber, layered roof eaves and a dark wooden fence receding into haze, strands of ivy on a wall catching the light at their leaf edges. The whole background is soft-edged by depth of field but built from crisp, specific shapes, and the near pavement keeps its grain and seams. A cold blue-white backlight rims her hair and shoulders and strikes the top plane of the stone lantern; a warm amber light from that lantern fills the left side of her jaw, so she carries two temperatures at once and the shadow side of her face stays open rather than crushed. Fine dust and a few drifting motes catch the backlight near her hair. The palette is indigo, ivory, cold blue shadow and one amber pool, with violet reserved for her eyes. Quiet and composed, faintly severe.
ashens
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