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Introductory comic for Captain Edmund Blackadder
Go watch Blackadder. Especially Season 4. Really impressed with that final panel
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ln
((Anime illustration)), ((Incarnate detail)), ((Masterpiece)), ((Highest quality)). This medium shot, 3/4 view from behind depicts a young mob boss seated at a heavy wooden desk in a 1945 back office. The boss, a young man with a sharp silhouette, is seen from the back, wearing a tailored dark pinstripe suit. Around him, three crew members—men in their 30s wearing fedoras and wool overcoats—lean in aggressively over the desk, their faces twisted in heated argument. The desk is cluttered with a hand-drawn neighborhood map pinned with red needles, an open leather ledger, stacks of cash, and a heavy black rotary telephone. A warm desk lamp casts a localized golden glow, contrasting with the dim, mahogany-paneled walls of the office. Thick plumes of cigarette smoke swirl through the air, catching the light. The atmosphere is tense and cinematic, characterized by a semi-realistic painterly style with visible film grain and a moody, sepia-toned color palette.
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ln
((Anime illustration)), ((Incarnate detail)), ((Masterpiece)), ((Highest quality)). This medium shot, 3/4 view from behind depicts a young mob boss seated at a heavy wooden desk in a 1945 back office. The boss, a young man with a sharp silhouette, is seen from the back, wearing a tailored dark pinstripe suit. Around him, three crew members—men in their 30s wearing fedoras and wool overcoats—lean in aggressively over the desk, their faces twisted in heated argument. The desk is cluttered with a hand-drawn neighborhood map pinned with red needles, an open leather ledger, stacks of cash, and a heavy black rotary telephone. A warm desk lamp casts a localized golden glow, contrasting with the dim, mahogany-paneled walls of the office. Thick plumes of cigarette smoke swirl through the air, catching the light. The atmosphere is tense and cinematic, characterized by a semi-realistic painterly style with visible film grain and a moody, sepia-toned color palette.
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みか
戦火の終わりに・老兵の眠り
みつまめ“かずひろ”あんみつ
b6
A full-color comic panel shot from an over-the-shoulder point of view of a seated master, showing the maid from image1 leaning far over a tea table to place a steaming teacup in front of him. The cheerful woman has dark hair in an updo with a white ruffled headband, round glasses, rosy blushing cheeks, and a shy knowing smile, glancing up at the master. She wears the dark green polka-dot French maid uniform from image2, featuring a white ruffled apron, puffy sleeves, a pearl necklace, a yellow bow tie, and white gloves on her hands steadying the tray. Her ample cleavage presses deep into view inside the ruffled trim of her dress. The setting is an elegant mansion dining room with warm evening light, a teapot, and a sugar bowl on the table. The artwork features bright clean comic shading and thick clean outlines. The style of the image remains faithful to image2.
overlay text: A short speech bubble near the maid reads 'Çayınız efendim~'.
bayram64hop1
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