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- << 菅谷ノワ: 1.5 >> （（夏））、（（教室の前に立っている女子学生の横姿））、（（下着を着ていないスタイリッシュな制服シャツ、胸囲：1.5））、（（短いミニスカート））：（（スカートを船の上に高く持ち上げて使用する姿））、（（半透明の太ももバンド、膝の上まで） 置かれたバッグ、教室の床、大きな窓の外の風景、（（純粋で魅力的な女子学生の横姿））、（（青春漫画））、（（純粋な魅力））、（（手を使う姿））、（（汗））、（赤いボール））、（（暑い夏））、（（足を広げる） 横顔））、（（秋葉原アケビ））、（（HDR、4K、8K、UHD）、（（実際））、つややかな髪、高精細、女子高生の体型、身長146cm（UHD）、（HD）、鮮やかで詳細な高精細、女の子、背の高い、高品質。 1.5>、<マジックスピン>、<側面固定ビュー（振り返る外観）：1.5>、（UHD）、（HD）、<シャープでディテールの高精細度：1.2>、<背の高い女性：1.5>、<<モデリングの特徴強調：1.5>>。 （野外：1.5）、（（光の芸術））、（（画像D）、（（3D漫画）） 1.5>、アンリアルエンジン5、シャープフォーカス、色収差、オルチャンマン-6500-v1.1、朝の日差し、全身、オルチャンマン-6500、繊細な肌、非常に洗練された目と顔、富士フイルムXT3、高精細、高解像度、高精細、非常に精巧な、 (HDR), 잉게 헤렌하우스, 루브릭 막심, 8K, (UHD), (HD), 모두 보기. 신체. 해부학. 최고 품질. 디테일. 섬세한 구도. 완벽한 표정. <여성: 1.5>. <야외: 1.5>. <물리: 1.5>. <고품질 과학: 1.5>. <고품질: 1.5>. <<二人のレズビアンの女性: 1.5>>, <<女性カップル キス: 1.5>>, <<同性愛セックス: 1.5>> <<オナニー: 1.5>> 8K、（UHD）、（HD）、Kindle、柔らかい高解像度、全身、側面、ディテール、単独、（（左））、イヤリング、輝く目、カウボーイショット、。 透かし、ユーザー名、作家名}}、{{レトロスタイル、高精細}}、最大限の顔のディテール、最大限の詳細なテクスチャ、最大限の詳細な影、最大限の詳細な背景、バイオルミネセンス、<<リアルな擬人化>> 、（（4k、8k、Ultra HD））、（（傑作：1.2））、（（最高品質：1.2））、（（詳細：1.5））、（（詳細背景：1.5））、<ピクセルアート：1.5>。<ポイントアート：1.5>。<ラージセルアート： （UHD）、（HD）、シャープでディテールの高精細、アニメの女の子、背の高い、フルスクリーン、フォーカス、フル、 （（高精細アート））、（（画像1.5））。（（3Dイラスト））。（（3Dアニメーション））。（（3D漫画））。 、PEAnimeBG、背景、アニメ、風景、（（4k、8k、Ultra HD））、（（傑作：1.2））、（（最高品質：1.2））、（（詳細：1.5））、（（詳細背景：1.5））、PEAnimeBG、背景、アニメ、風景、かわいい <Laura:LCMTurboMix2fix:1>,r17329_illu,style5,<niji_journey:1>, <niji_style>
- Size
- 1024 x 1024
- Sampling Steps
- 7
- Sampling Method
- DPM++ SDE Karras
- CFG Scale
- 3.5
- Negative
- (bad quality,worst quality,worst detail,bad, low quality, bad anatomy:1.2), ( polydactyly, extra digits, extra legs, bad hands, bad hand, bad fingers, fused fingers, missing finger, split fingers, fused arms, fused hands:1.5)
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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