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AI artwork featuring #Land of the Lustrous, #Phosphophyllite, #Antarcticite and #Diamond
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Phosphophyllite, Antarcticite

AI art by ้˜ฟๆ‹‰ๅ“ฉ on PixAI. Tags: Land of the Lustrous. Made with coco-Illustrious-NoobXL-Style.

#Land of the Lustrous#Phosphophyllite#Antarcticite#Diamond
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Comments

1girl, simple background, sunlight ray, colored pencil, refraction, transparent, houseki no kuni, prism, crepuscular ray, sitting on tree, partially submerged, primary colors, optical effect, monster geometric, shadow casting
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Original Prompt
1girl, simple background, sunlight ray, ๅฝฉ่‰ฒ้‰›็ญ†, ๆŠ˜ๅฐ„, ้€ๆ˜Ž, ๅฏถ็Ÿณไน‹ๅœ‹, Prism, Crepuscular Ray, sitting on tree, partially submerged,ไธ‰ๅŽŸ่‰ฒ, Optical Effect, monster geometric, shadow casting
Size
768 x 776
Sampling Steps
14
Sampling Method
Euler a
CFG Scale
2.7
Negative
lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose

Model & LoRA used

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AI artwork
w1
artist: anzekeye, tizibade, year_2026, year_2024, year_2025 ((bold graphic poster art)), ((high-impact asymmetrical layout)), 1girl, solo, abstract rain as sliced translucent geometric membranes, fragmented silhouette, two half-formed phantom figures about to diverge, suspended raindrop prism trapping unspoken words, sharp planar cutouts, limited cool cyan-grey palette, clean vector edges, minimal texture, large negative space, subtle refraction flares, flat colour blocks, prism, refraction, detailed environment, dramatic cinematic lighting, cinematic shadows, cinematic angle, varying line weight, confident linework, motion lines, sharp focus, crisp edges, no text, (@anzekeye:1.2), (@bubu2kufo:1.1), (@naluse flow:1.0), (@tizibade), from below, dutch angle, cowboy shot, head tilted back, arms slightly out, looking up, parted lips, wet hair, floating hair, white hair, long hair, dark jacket, high collar, Seen from a low dutch angle that canters the horizon and throws the figure large against the empty air, a single solitary girl occupies the left third of a vertical poster, her body cut off at mid-thigh by a hard diagonal crop so the whole right two-thirds stays open cyan-grey void. She is rendered in flat colour blocks of pale bone-white, deep slate and one cool near-black, her edges clean vector-hard, her silhouette itself fragmented -- the shoulder, the hip and the lower ribs broken into offset planar shards that float a few degrees off their true position, each shard edge crisp and bevelled, so her outline reads as a shape sliced and barely re-aligned. Race her head back on the long line of her throat, chin lifted, both arms drifting slightly out from her sides with the palms turned up and the fingers relaxed and parted, weight rocked onto the back foot so the front knee softens; her pale hair lifts and streams sideways as if in a gust that exists only in the picture, and it too breaks into hard wedges at the tips. Her eyes are open and fixed upward on the prism above her, lips just parted on a breath she has not released. Above and to the right of her, in the negative space, hangs a single suspended raindrop prism: a faceted glass teardrop the size of her head, drawn in thin confident linework of varying weight, its interior holding a small dense knot of dark slate shards compressed like swallowed speech -- the words never leaving it. One sliver of pale light enters its upper facet and leaves bent and split into cool cyan flares that streak the air below it in straight, faint, refracting wedges, each flare brightest at the prism's edge and fading before it reaches the girl, so her upturned face catches only the coldest rim of it. Two half-formed phantom figures hover behind her, translucent membranes of rain shaped into human outlines -- one at her shoulder, one further right and lower, each a hollow glassy silhouette of the same build, their bodies already leaning apart along opposite axes, a fine gap opening between their reaching hands, their surfaces overlapping her fragmented shards without hiding them. The abstract rain resolves into sliced translucent geometric membranes: long flat rhomboids and trapezoids of glassy blue-grey suspended across the frame, some overlapping the prism and bending the light behind them, some passing in front of the girl's arm and shoulder so the composition reads in three clear overlapping planes with hard occlusion edges and no softening. Pale motion lines fan behind her lifted hair and along the direction of the ghost figures' drift, drawn as clean tapered strokes, thicker at the source and thinning to nothing. Every surface stays flat and untextured -- no grain, no noise, no gradients beyond the refraction flares. The palette admits only cool cyan, grey-blue, slate and bone-white, with near-black used solely for her deepest shadow planes and the trapped shards in the drop; all darkness sits under her raised chin and along the far side of the two phantoms, all brightness at the prism. The upper-right quadrant is left almost entirely empty, a single large negative shape of pale grey sky that balances the massed figure and phantoms at lower left, with the whole layout tipping on a long diagonal from her back foot to the prism. No letters, no words, no signage, no numbers anywhere -- the void holds nothing but shapes. Suspended, aching, severe.
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