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andrewbuldge-alt
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- Original Prompt
- 2girls, Amalia, a soft-furred feline futanari with long white hair streaked with black, her sidelocks framing golden eyes that glow faintly in the candlelight. She sits beneath a cherry tree at midnight, her tail curled around her wife—a grey-furred catgirl with translucent robes clinging to her curves—as they lean into each other on the sand. Their entwined bodies press close, their huge erections twitching beneath damp towels and flowing fabric. Cherry petals spiral down around them, caught in the salty breeze rolling off the ocean, while candles flicker in a half-circle, casting warm pools of light over their flushed snouts and twitching ears. The scene pulses with intimacy: Amalia's ahoge bobs as she deepthroats her partner's erection, their shared breath visible in the cool night air. the composition balances the delicate (petals, candle flames) with the sensual (clinging clothes, the subtle strain of fabric over Amalia's lap). Rendered in hyper-detailed 3D anime style, every strand of fur and ripple of fabric feels touchable—especially where their thighs meet, the暗示 of movement suggesting slow, mutual friction just out of view. (masterpiece:1.2), (best quality:1.2), (very aesthetic:1.2), (absurdres:1.2), (solo:1.5), 8k, sitting, futa with futa, furry with furry, 2girls, multiple girls, :3, blush, huge erection under clothes, side view.
- Size
- 768 x 1280
- Sampling Steps
- 14
- Sampling Method
- Euler
- CFG Scale
- 3
- Negative
- bad quality, worst quality, lowres, jpeg artifacts, bad anatomy, bad hands, multiple views, signature, watermark, censored, ugly, messy
Model & LoRA used
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
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The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
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