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Civilization ㉔ "Niitakayamanobore"

#Touhou Project#Ass#Breath#Reimu Hakurei#Bow#Alternate Costume#Airplane#Aircraft#Aircraft carrier#Helicopter#Backlighting#Floating Hair#Black gloves#Fighter Jet#Blue sky#Closed mouth#Black Pants
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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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Sakura Shino, short hair, black hair, single sidelock, hair flower, blunt bangs, brown eyes, pink kagekidan uniform, wide sleeves, gold trim jacket, purple sash shoulder strap, purple string tie, white collared shirt, black vest, half gloves, white pantyhose, black knee boots, pink trim boots, purple tassel, BREAK, ocean, eagle union (azur lane), 1girl, mature, solo, bodysuit, cable, kanmusu, shipgirl, non-humanoid robot, floating weapon, floating machinery, floating object, floating multiple weapons, floating multiple battleship armor, mechanical halo, naval artillery battleship turret, complex modern torpedo and missile launcher, science fiction, dramatic, action pose, powerful movement, sparks flying, glowing energy effects, intense battle stance, wind sweeping through hair, fast-paced motion blur, dynamic background, epic action scene
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ise_\(kancolle\), hyuuga_\(kancolle\), Two female characters, Ise and Hyuuga from the video game "Kantai Collection", are depicted on the ocean. Ise has brown hair tied in a high ponytail with a white ribbon, wears a white and black sailor-style school uniform with a blue bow, a black skirt, and thigh-high stockings. Hyuuga has short brown hair and wears a similar white sailor uniform with a red ribbon. Both girls are firing their "Rensou Shuhou" (twin main guns) from their backs, which are massive, futuristic-looking naval turrets. The background is the open sea with a dramatic, cloudy sky, and multiple missiles are ascending and streaking across the scene, leaving contrails. The water is turbulent from the weapon fire. The overall atmosphere is intense and action-packed, with a focus on military and naval warfare aesthetic.
あらお☆ひろ
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tone_(kancolle), aoba_(kancolle), ooyodo_(kancolle), sakawa_(kancolle), These four Kantai Collection shipgirls stand together on a ship's deck, each posing in a model-like stance and smiling gently. Tone, with brown twintails tied with white ribbons, wears black gloves and a red bowtie. Aoba, with a messy pink ponytail secured by a blue scrunchie, is in a sailor shirt and blue shorts. Ooyodo, with long black hair and glasses, dons a blue sailor collar school uniform with a red necktie. Sakawa, with long grey hair in a ponytail, wears a black sailor shirt and pleated skirt with a black neckerchief. The scene is set at sea, with a vast ocean and clear blue sky in the background. Flying behind them are multiple Zero fighter planes in formation. The image is a full-body view, emphasizing their individual details and the dynamic, military-inspired atmosphere.
あらお☆ひろ

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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