浦島太郎@ちびキャラを描きたい
ちびキャラを描きたいのにならない😭 いや、ちびキャラはいるんですけどね🤣 可愛く描けたからまぁいいか。
Show Parameters
- Original Prompt
- 【主題・人数】 少女イラスト,1人,浦島太郎:1.8,ちびキャラ,ミニキャラ, 【顔・外見】 浦島太郎:1.8,アップの顔:1.5, 薄い赤色の瞳:1.5,美しい水色の瞳:1.8, 笑顔:1.5, 艷やかな唇:1.8, (前髪_隙間なくパッツン:1.8),blunt bangs:1.8,((ボブ:1.8)),艶々の水色の髪:1.8,鑑賞者を見ている:1.5, なびく髪, 前髪_おかっぱ,前髪でまゆ毛が見えない:1.8,目の上まで前髪:1.8, 細い脚:1.2, もみあげ:1.8,sideburns:1.8, なで肩:1.8,Aカップ:1.5,sloping shoulders, parted lips:1.8, 【ポーズ・動作・視線】 海辺を歩く:1.8, ダイナミックなポーズ, ダイナミックなアングル, 【服装・装飾】 服_昔の日本の漁師の服:1.8. 竹の釣り竿を持つ:1.5 靴_わらじ:1.8, 髪飾り, 髪に花, 【背景・環境(遵守)】 背景_海辺:1.2, 童話のような世界観:1.6, 奥行きのある構図, Cinematic lighting, 斜めの構図:1.8, 【雰囲気・質感】 肌の質感:1.8,優雅, 幻想的, 夢のような雰囲気, 神秘的な雰囲気 やさしい背景, 柔らかな陰影, 穏やかなライティング, 柔らかな質感,ミニキャラ,ちびキャラ, 【描画・品質指定】 繊細な線, 細い輪郭線, 精密なディテール, aesthetic, vivid colors, clean lines, イラスト,パステルカラー, ((Masterpiece:1.2)), ((Best quality:1.2)), ((Detailed:1.5)), ((Detailed background:1.5)), ((4k,8k,Ultra HD)), 4K, 8K:1.5, 8K壁紙, ,
- Size
- 768 x 1280
- Sampling Steps
- 15
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- (bad quality,worst quality,low quality,bad anatomy,bad hand:1.3), nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, artist name
Model & LoRA used
Similar Images
Show more
Explore more
Recommended Users
You might like
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Mine / 私のもの
みーちゃん
✦ ₊ ⊹ 🌑
(mai)
❌⃝✦—𝐇𝐄𝐘! 𝐘𝐨𝐮 𝐰𝐚𝐧𝐧𝐚 𝐜𝐨𝐦𝐞 𝐢𝐧?⬩➤“
𝐋𝐢𝐗𝐗𝐗┆秋峠鬼火~👻
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
the lancer
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🎵Surtur
helanx
マシュ
Atlas
Sakura Chiyono O: A Springtime Portrait
AfterThoughts
Love live! School idol maid - Hanayo koizumi
AMnatsu
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
🍧💙
Janet reno
໒꒱· ﾟ◼️
生魚2(Raw Fish 2)
Gojo & Geto's Playful Selfie! ✨
Momo
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
(mai)
(-_-)🚬⚡︎
(mai)
(っ.❛ ᴗ ❛.)っ🫧🐟
(mai)
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
❓
(mai)
耍车
星空sky
1
✧ 🍁 🧣 🍂 ✧
(mai)
(*˘︶˘*).｡*♡ 🍁 ☕
(mai)
Comments13