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- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
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jm
A professional Vogue magazine cover featuring a high-fashion portrait of a confident young woman posing for a photo shoot. (Two poses), (Two women), (double poses), (high fashion y2k style), (stylish poses, one squating down the other stood up with a peace sign), full body focus, single colour crimson red background with cybersigilism around. At the very top, the bold, iconic serif logo "ANNETH" is prominently displayed in clean gold typography.
A Japanese street-fashion magazine cover in a modern anime illustration style, using the composition and graphic design of @layout. Use only the layout and art style from @layout.
The character is Anneth: [YOUR BODY + HEAD PROMPT]. She appears twice with an identical face, hair and outfit. Her mood is playful, silly and fond, never menacing or sneering. In both poses she holds wide, steady, unbroken eye contact with the viewer.
1. Large main figure on the left: leaning far too close to the camera with extreme wide-angle fisheye perspective, her face almost touching the lens. One hand is pressed flat against the lens, fingers wrapped in white athletic tape, leaving smudged fingerprints on the glass. Big teasing grin, as if she has no idea she is too close.
2. Smaller figure in the bottom right, fully separate and not overlapping the main figure: sitting cross-legged and relaxed inside a white chalk body outline drawn on the floor, eating a ripe peach with juice running down her wrist, cheeks full while chewing, completely unbothered, still staring at the viewer.
Outfit, identical on both: fitted white baby tee with a small cartoon peach print, low-rise light-wash flared jeans, a frayed black martial-arts belt tied around her waist as a belt with the knot at the front and the ends hanging down, chunky white sneakers, minimal simple jewellery. Short, neat nails. Simple, expertly applied makeup.
Background: soft peach to pale apricot gradient. Clean thin line art, soft cel shading, slightly faded print colours.
Magazine design: huge bold black serif masthead reading "IRIS", partly hidden behind her head. Small blocks of Japanese text in the margins, issue number and barcode in the bottom-right corner. Vertical full-body composition..
22, 5'8, thick brown hair cut into a bob, a heart-shaped face, deep-set blue eyes, very long natural eyelashes, heavy but not oversized eyebrows, a larger upturned nose, and a lot of freckles across her face and body. She has a soft, harmless, local look that makes people underestimate her. Underneath, she is has an hourglass figure and C cup breasts. cybersigilism washed colour jeans. (Y2k fashion). Toned Midriff, striped croptop, pins in hair, long pink nails, untied blue sneakers, ankles showing, short socks, gold rings around wrists, gold jewelry earrings and rings.
shallow depth of field, ultra-photorealistic, natural lighting, soft overcast daylight, cinematic realism, highly detailed textures (fabric stitching, facial pores), professional lens effect (85mm look), slight atmospheric haze behind her to emphasize her presence. Extreme face close up, (close up),somewhat realistic appearance, drawn on style, sketched style, visible shading strokes, semi-realistic features, detailed shading, painting shading,xipa style, detailed lineart, soft shading, clean composition,flat shading, pale color, sketch,detail illustration, -2::simple illustration, cool lighting, pale color
jon marstin
jm
A professional Vogue magazine cover featuring a high-fashion portrait of a confident young woman posing for a photo shoot. (Two poses), (Two women), (double poses), (high fashion y2k style), (stylish poses, one squating down the other stood up with a peace sign), full body focus, single colour crimson red background with cybersigilism around. At the very top, the bold, iconic serif logo "ANNETH" is prominently displayed in clean gold typography.
A Japanese street-fashion magazine cover in a modern anime illustration style, using the composition, colour palette and graphic design of @layout. Use ONLY the layout and art style from @layout — do not copy that girl.
The character is @char, shown twice on the same cover with an identical face, hair and outfit:
1. Large main figure filling the left side: leaning toward the camera from a dramatic wide-angle low perspective, both arms reaching toward the viewer with foreshortened hands, cheeky smile, direct eye contact.
2. Smaller figure in the bottom right: crouching low, holding a wired game controller, cable trailing across the floor, glancing at the viewer.
Pale lime-green to soft yellow gradient background. Clean thin line art, soft cel shading, slightly faded print-magazine colours.
Magazine design: huge bold gold sans-serif masthead reading "ANNETH", cropped off the top-right edge. Small blocks of Japanese and English text in the margins, issue number and barcode in the bottom-right corner. Vertical full-body poster composition with plenty of empty space.
22, 5'8, thick brown hair cut into a bob, a heart-shaped face, deep-set blue eyes, very long natural eyelashes, heavy but not oversized eyebrows, a larger upturned nose, and a lot of freckles across her face and body. She has a soft, harmless, local look that makes people underestimate her. Underneath, she is has an hourglass figure and C cup breasts. cybersigilism washed colour jeans. (Y2k fashion). Toned Midriff, striped croptop, pins in hair, long pink nails, untied blue sneakers, ankles showing, short socks, gold rings around wrists, gold jewelry earrings and rings.
shallow depth of field, ultra-photorealistic, natural lighting, soft overcast daylight, cinematic realism, highly detailed textures (fabric stitching, facial pores), professional lens effect (85mm look), slight atmospheric haze behind her to emphasize her presence. Extreme face close up, (close up),somewhat realistic appearance, drawn on style, sketched style, visible shading strokes, semi-realistic features, detailed shading, painting shading,xipa style, detailed lineart, soft shading, clean composition,flat shading, pale color, sketch,detail illustration, -2::simple illustration, cool lighting, pale color
jon marstin
yy
Two women.
First person: woman, tall and slender with long legs, dark brown hair (shoulder length), dark brown drooping eyes, a mole next to the nose (on her right side), patterned shirt (small flowers), slim black school slacks, patterned socks, black leather shoes.
Second person: woman, long red hair, dark brown upturned eyes, black T-shirt (slightly oversized), grey wash baggy denim, sneakers.
Smiling, polaroid photo style, both making peace signs. Full body does not need to be visible.
yuki y
Kurokawa Akane, long hair, dark blue lime green gradient hair, dark blue lime green eyes, outie navel, outie belly button, slim stomach, 2girls, Asakura Toru, breasts, short hair, (dark gray hair:1.2), (blue dip-dye hair:1.3), ahoge, light blue eyes, casual code, midriff_peek, city, They are on a date, Holding hands, smiling, anime illustration, great quality, best quality.
0721
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
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