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View detailsFans of Manaka
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- Original Prompt
- rpkmanaka, , short hair, brown eyes, black hair, mole under eye, mole, spaghetti straps, 淺藍色極低領口one-piece dress,裙長及膝,大露背至露出股溝,多人的電車內,覺得被人摸了,这个角色的姿势和表情可以这样详细描述: 姿势 - 她的双腿分开站立,膝盖微微弯曲,身体重心稳定又带点放松感。 - 双手在身前交叠相握,自然地放在腰腹位置,手肘向内收拢,呈现出一种略带拘谨或内敛的姿态。 - 头部轻轻低下,整体姿态传递出一种温柔又略带羞怯的感觉。 表情 - 双眼低垂,视线柔和地落在斜下方,没有直视前方,流露出一丝害羞或不好意思的情绪。 - 嘴角非常轻微地抿起,没有明显的笑容,但眼神柔和,整体表情显得温婉、内敛,带着一点腼腆和温柔的气质。
- Size
- 768 x 1280
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
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1girl, 3/4 side view, upper thighs, beautiful girl, small breasts, long eyelashes, double eyelids, wavy black medium hair, airy bangs with softly separated strand, dress shirt, loose plaid bowtie, navy blue blazer, school uniform, plaid pleated skirt, carrying school bag in one hand, ashamed, shy, embarrassed expression, worried expression, face turned away, looking away, crowded train, train interior, standing, many close distance passengers, dutch angle, dynamic angle, multiple passengers, holding hand grip, arm up, hand up, indoors, windows
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1girl, kirigaya suguha, sword art online, sailor dress, standing, crowded train, masterpiece, looking at viewer
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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