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- Original Prompt
- solo,女性1人、仰向け、パジャマ、太もも、full body、白いシーツ、シーツの上、視聴者を見ている、恥ずかしい表情、黒髪、水色の髪、赤髪、黄色の髪、緑色の髪、ピンクの髪、白い髪、ランダムなパジャマの色:赤/青/白/黄色/緑/黒、黒い瞳、水色の瞳、赤の瞳、黄色の瞳、緑色の瞳、ピンクの瞳、白の瞳、short heir、long heir、(large breasts),(small breasts), (anime_screencap:1.1), score_6_up, score_7_up, score_8_up, high quality, highly detailed face, maximum resolution, soft, pastel, glowing, Masterpiece, 8K image, super detailed, super vivid and super bright colors. Anime screenscap style, anime source, 2D, bright and illuminated colors, flat colors, anime coloring.
- Size
- 306 x 1023
- Sampling Steps
- 13
- Sampling Method
- Euler a
- CFG Scale
- 2.7
- Negative
- NSFW, worst quality, bad quality, low quality, lowres, scan artifacts, jpeg artifacts, sketch, (worst quality, bad quality:1.1), lowres, jpeg, artifacts, signature, username, text, logo, bad anatomy, artist name, artist logo, extra limbs, extra digit, extra legs, extra legs and arms, disfigured, missing arms, too many fingers, fused fingers, missing fingers, unclear eyes, blur, film grain, noise,
Face Fix
Model & LoRA used
Similar Images
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copyright: love_live!
love live, uehara ayumu, single side bun, love live,uehara ayumu,single side bun, braided bun
bed
lying on back
lying down
casual clothes
mini skirt
blushing
タクヤ
copyright: love_live!
love live, uehara ayumu, single side bun, love live,uehara ayumu,single side bun, braided bun
bed
lying on back
lying down
casual clothes
mini skirt
blushing
タクヤ
copyright: love_live!
love live, uehara ayumu, single side bun, love live, uehara ayumu, single side bun, braided bun
bed
lying on back
lying down
casual clothes
miniskirt
blushing
full body
タクヤ
copyright: love_live!
love live, uehara ayumu, single side bun, love live, uehara ayumu, single side bun, braided bun
bed
lying on back
lying down
casual clothes
miniskirt
blushing
full body
タクヤ
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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