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Hanscoimbra06

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Hanscoimbra06

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carol_olston, 1girl, bikini, lace lingerie, cup-style bra, short skirt, exposed navel, toned abdomen, stretched pose, masterpiece, ultra detailed, looking at viewer, seductive smile, beach background
Show Parameters
Original Prompt
carol olston bikini del sosten de tipo copa de encaje de lencería y falda cortos y el ombligo del abdomen descubierto y el abdomen estirados
Size
768 x 1280
Sampling Steps
28
Sampling Method
Euler a
CFG Scale
5
Negative
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

Model & LoRA used

Haruka v2 - AI Model cover image

PixAI XL

Haruka v2
24.57k
Carol Olston - Tomo-chan Is a Girl! / Tomo-chan wa Onnanoko! - AI Model cover image

User LoRA

Carol Olston - Tomo-chan Is a Girl! / Tomo-chan wa Onnanoko!
14

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AI artwork
a1
STRICT QUALITY CONTROL: - Exact same face shape, facial features, hairstyle, hair color, eye color, and overall character identity as the reference image 1 - Strong resemblance to the original character - Preserve the character's recognizable visual identity - Elegant anime proportions - Natural anatomy and body flow - Refined hand rendering - High visual consistency - she has medium round breast and long hair OUTFIT — REFERENCE 2: Change the character's outfit completely to the outfit shown in Reference 2. Reproduce the outfit design, cut, straps, neckline, fabric, and overall silhouette from Reference 2. Preserve the outfit's original color palette and design details from Reference 2. POSE: - Create a completely new, original sensual fashion pose that complements the outfit and naturally emphasizes its exposed design - The pose must have a strong visual gesture and an intentional body silhouette - Use dynamic body language: subtle torso twist, asymmetrical shoulders, hip tilt, gentle body arch, crossed or extended limbs, bent knee, reclining posture, leaning posture, or another visually expressive arrangement - Make the body orientation and camera angle work together to create a sensual editorial composition - Include a clear focal point based on the outfit or exposed body area - Use a close or intimate camera perspective when appropriate, such as close-up, close three-quarter, low three-quarter, side angle, or rear three-quarter view - Vary the pose, body orientation, gesture, camera angle, framing, and focal point rather than repeating the same composition BACKGROUND: - beach OVERALL AESTHETIC: high-quality 2D anime illustration in classic anime style, sharp clean lines, beautiful cel-shading, expressive eyes, vibrant colors, visual novel CG quality.
araskina11
#The Idolmaster#Gakuen Idolmaster#Juo Sena
AI artwork
mc
yamanaka ino, naruto\(series\), 1girl, blue eyes, long hair, blonde hair, hair over one eye, ponytail, purple top, medium breast, summer outfit, swimsuit, belly, belly button, navel, purple bikini, distressed white denim short, light lavender open shirt, straw sunhat, dark purple ribbon band, fedora, beach, sitting, flatline, flat vector illustration, vivid colors, white thick outline, outline, blue inner hair color, watercolor, soft light, (masterpiece, highest quality, ultra hd, high resolution, absurdres, 8k, official visual, sharp lines, vivid contrast), addxl
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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1#Attack on Titan#Mikasa Ackerman
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