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relaxing B5 lunasa
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- Size
- 1280 x 768
- Sampling Steps
- 20
- Sampling Method
- Euler a
- CFG Scale
- 5.5
- Negative
- worst quality, bad quality, low quality, lowres, scan artifacts, jpeg artifacts, sketch, (worst quality, bad quality:1.1), lowres, jpeg, artifacts, signature, username, text, logo, bad anatomy, artist name, artist logo, extra limbs, extra digit, extra legs, extra legs and arms, disfigured, missing arms, too many fingers, fused fingers, missing fingers, unclear eyes, blur, film grain, noise,
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哈
An anime girl is crawling out of a computer screen. Key Composition: Only her upper body has emerged from the screen; everything below the waist remains entirely inside. Do not let her legs, feet, or knees protrude from the screen. Do not have her sitting on the computer desk. Instead of reaching toward the camera, her hands are naturally supporting her weight against the screen bezel and the desk surface. One hand grips the screen bezel, while the other rests on the desk beside the keyboard, with the arm naturally bent. She is using her hands to push her upper body out of the screen. Her body is transitioning from inside to outside; the area below her waist is obscured by the screen surface, leaving only her head, shoulders, chest, and arms visible outside. Where her body emerges, the screen surface ripples like liquid and shows cracks resembling ice crystals. This makes it immediately apparent that she is "crawling out of the computer screen." Her body is angled toward the side-front rather than facing directly forward to reach toward the camera. Keep palms away from the camera; avoid extreme forced perspective on the hands. Maintain natural human proportions. The computer screen is fully visible, with the keyboard and mouse in the foreground. The camera is positioned in front of the desk at a slightly low angle. Her upper body is outside the screen, while her lower body remains inside. Strong depth of field, a sense of three-dimensional space, and cinematic composition. high quality Japanese anime illustration, dynamic perspective, natural anatomy, cinematic lighting, beautiful silver-white hair, icy blue magical glow, detailed computer setup, strong depth, screen portal effect
哈藍德
game finish
JHE1987810
br
逃亡生活 捜査班
BlueRose
夏色まつり
GOアルパカクラブ
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
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The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
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The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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