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巫女さん@ジト目ちゃん
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- Original Prompt
- 【主題・人数】 女性イラスト,1人,巫女さん, 【顔・外見】 20歳,スレンダーな7頭身,ジト目:1.5,美しい青い目と黒い瞳:1.8,恥ずかしがり屋:1.5,清楚な雰囲気:1.5,おっとり:1.5,面長の顔:1.2,笑顔:1.5, 前髪パッツンミディアムストレート:1.5, 和風な艶々のブラウン色(黒に近いダークブラウン)の髪:1.5, 少し頬を染める:1.2,鼻は描かない, 横顔,blunt bangs, straight hair, (full bangs:1.3), highres, (long blunt bangs:1.4), (bangs covering eyebrows:1.2), heavy bangs, solid bangs, straight hair, 細い脚:1.2, 長いまつげ:1.4, 細長いもみあげ:1.8, Aカップ:1.5, 腰のライン, お尻のライン, 【ポーズ・動作・視線】 唇に指を当ててシーッのポーズ, ダイナミックなポーズ, ダイナミックなアングル, 【服装・装飾】 服_可愛い巫女の服:1.5, 【背景・環境(遵守)】 背景_厳かな雰囲気の神社:1.2, 背景_境内, 満開の桜の木, 桜吹雪, 奥行きのある構図, Cinematic lighting, 斜めの構図:1.8, 超詳細な背景:1.5, 細かく描きこまれた背景:1.5, 【雰囲気・質感】 肌の質感:1.8,優雅, 幻想的, 夢のような雰囲気, 神秘的な雰囲気 やさしい背景, 柔らかな陰影, 穏やかなライティング, 柔らかな質感, 【描画・品質指定】 繊細な線, 細い輪郭線, 精密なディテール, aesthetic, vivid colors, clean lines, イラスト,パステルカラー,正しい指の数, ((Masterpiece:1.2)), ((Best quality:1.2)), ((Detailed:1.5)), ((Detailed background:1.5)), ((4k,8k,Ultra HD)), 4K, 8K:1.5, 8K壁紙, ,large anime eyes, Vivid color palette,jitome, sanpaku
- Size
- 768 x 1280
- Sampling Steps
- 15
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- (bad quality,worst quality,low quality,bad anatomy,bad hand:1.3), nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, artist name,nose,正しい指の数,
Model & LoRA used
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long black hair, round black eyes, a girl in white-based Japanese clothing, Onmyoji motif, score_8_up, score_7_up, HDboost, HDR, 8k resolution, very high detail, high quality, vivid and intense colors, balanced color tone, clean color harmony, detailed gradients, high-quality color adjustment, natural color transitions, cute style, pale and pastel color, cute big eyes
sora
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巫女さんのときめき・桜舞う神社
可愛い系が好きです！
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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