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朝霧シズク/asagiri shizuku/めるぺろ/merupero
Show Parameters
- Size
- 1048 x 1400
- Sampling Steps
- 26
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, deformed hands, extra fingers:1.2, missing fingers, blurry hands, text:1.1, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Face Fix
Model & LoRA used
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1girl, Riko Ichinose, blonde hair, long hair, yellow eyes, huge breasts, grey shirt, grey pants, style5, w3st3rnc0m1cs
dragonlast060806
홍
금발 머리칼이 어깨를 덮고 조금 내려올 정도의 길이인 소녀가 있으며 시선은 화면을 바라보고 있고 눈동자의 색은 단일이 아닌 밤하늘의 은하수를 바라보는 것처럼 반짝거리는 빛을 담고 있고 눈동자의 배경이 되는 색깔은 하늘색이고 외모는 로맨스물의 시골 여자 출신에 경국지색이여서 귀족의 눈에 들 수 있을 정도의 외모이고 복장은 후디를 입고 있으나 검은색 무지이고 이미지 출력 시 하체는 보이지 않으면 자세는 오른손 검지를 입 안에 넣어 위로 쭉 당기는 포즈이고 그 손목에는 굵직한 쇠사슬이 걸려서 밑으로 축 늘어지는 형태이나 쇠사슬의 형태는 수갑이 아닌 말 그대로 쇠사슬 그 자체이고 언뜻 지뢰계 퇴폐미가 엿보이면서도 피어싱이나 타투 같은 것은 어떠한 것도 없어 청순함도 엿보이고 또한 상체는 가슴 상부 혹은 쇄골까지만 나올 정도로 얼굴이 부각되는 동시에 캐릭터의 구도는 아래에서 위로 사진을 찍은 듯한 로우 앵글의 구도로 시선처리는 무조건 화면 밖의 상대와 눈을 맞추는 정면으로 눈동자는 동공=별이 아니라 동공=그대로 + 은하수가 흐르듯 홍채 자체가 반짝반짝함
홍순성
D5
1girl, meguru hachimiya\(goddess cafe terrace\), blonde hair, blue eyes, long hair, low ponytail, hair over shoulder, white blouse, buttoned up, orange cardigan, green skirt, large breasts, smiling, teeth, masterpiece, ultra detailed, punopustyle
D5
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잡동사니
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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