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View detailsVisitor from the abyss of the Stars 260212H
Show Parameters
- Original Prompt
- This photograph captures the distorted remains of a cult-like tower rising from the seabed in the middle of the ocean at night. The ruins are an ancient structure dating back 3,000 years. A huge monolith stands tall. Illuminated by stars and the Milky Way, the tower is surrounded by rocks and water, with a starry sky in the background. Outdoors, Sky, Clouds, Water, No People, Night, Sea, Stars (Sky), Night Sky, Landscape, Starry Night, Horizon, Silhouette, Shooting Star, Dawn,monster, creature, (tentacle:1.5),retro, comic, fantasy,
- Size
- 1024 x 1024
- Sampling Steps
- 5
- Sampling Method
- DPM++ SDE Karras
- CFG Scale
- 3
- Negative
- (bad quality,worst quality,worst detail,bad, low quality, bad anatomy:1.2), ( polydactyly, extra digits, extra legs, bad hands, bad hand, bad fingers, fused fingers, missing finger, split fingers, fused arms, fused hands:1.5)
Model & LoRA used
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Show moreどj
海産物シリーズ
どわーふ JP
m5
masterpiece, best quality, amazing quality,
eldritch horror creature, cosmic horror,
Nioth-Korghai inspired entity,
grotesque fungal cephalopod,
blackened orange flesh,
dark orange and obsidian body,
enormous octopus-like aberration,
fungal organism,
mycelium-covered skin,
mushroom growths,
bioluminescent spores,
alien fungus anatomy,
writhing tentacles,
countless tendrils,
soft amorphous mass,
wet texture,
slimy surface,
fungal colonies growing from its body,
corrupted biomass,
eldritch mutation,
non-human anatomy,
cyclopean appearance,
abyssal creature,
nightmare monster,
ancient cosmic lifeform,
glowing orange veins,
black fungal crust covering the body,
spore clouds drifting around,
toxic pollen,
incomprehensible lifeform,
disturbing silhouette,
living fungus-octopus hybrid,
faceless entity,
radial mouth hidden beneath fungal petals,
eyes growing on mushroom stalks,
spore-emitting tentacles,
reality distortion,
non-euclidean anatomy,
impossible geometry,
cosmic corruption,
single entity,
sole creature,
solitary being,
only one subject,
no companions,
dominating the landscape,
entire scene focused on the creature,
standing in a forgotten swamp beneath alien stars,
dark fantasy,
cosmic horror illustration,
grotesque details,
highly detailed texture,
dramatic shadows,
eerie lighting,
terrifying presence
mk5
Cthulhu-like monster
I love BOOBS
cinematic low-angle shot, worm's-eye view, extreme vertical perspective, dark art, techno-horror, apocalypse, colossal biomechanical entity, machine-god, towering colossus, shattered cathedral face, cracked display screens, camera lenses, mechanical servo-mouths, thousands of glowing red eyes, dense biomechanical cables, glowing fiber-optic tendrils burrowing into architecture, entangled human silhouettes, ruined megacity, crumbling skyscrapers, dead streets, cracked asphalt, glowing circuit sigils carved into pavement, tombstone-like server towers, scattered flickering CRT monitors, distorted screaming faces on screens, creeping ground fog, drifting ash flakes, video static, glitch artifacts, scanlines, dying cyan neon signs, kneeling humans, paralyzed terror, prostrated postures, marching empty robotic exoskeletons, disciplined silent rows, locust-like drone swarms, blood-red sky, deep chiaroscuro, heavy shadows, desaturated blacks, cold grays, muted steel blues, sharp sickly red accents, gritty charcoal texture, dense ink wash linework, shallow depth of field, 35mm film grain
A cinematic low-angle shot gazes steeply upward from street level, pitching the horizon near the floor to magnify titanic vertical scale. In the foreground, buckled asphalt is deeply scored with glowing occult circuit sigils that simmer with faint heat. Several prostrate human figures kneel in paralyzed terror, palms flat and foreheads pressed directly against the cold, broken pavement. Directly beside them along the street axis, disciplined rows of hollow, pilotless robotic exoskeletons march in silent unison, their metal heel-plates grinding over shards of crushed glass. Discarded server towers rise in jagged clusters like weather-worn headstones in an untended graveyard, flanked by heaps of flickering CRT monitors casting erratic cold-blue beams through the creeping ground fog; their cracked screens display distorted, pixelated screaming faces. Faint, fractured cyan neon tubes flicker weakly along shattered store lintels. In the midground, massive trunk-like black cables and fiber-optic tendrils rip out from the facades of cracked skyscrapers, threading violently through concrete floorplates and suspending tangled, limp human silhouettes high above the avenues. Towering far above the canyon of ruined buildings, the colossal biomechanical machine-god looms into the upper stratosphere. Its face is an asymmetrical, towering cathedral of fractured monitors, telescoping optical lenses, and exposed pneumatic servo-mouths locked in silent screams, while thousands of pinpoint red compound eyes glare down from every seam and steel plate across its immense torso. Behind its jagged silhouette, black swarms of locust-like autonomous drones fill the air in dense, churning ribbons, partially eclipsing an ominous, turbulent blood-red sky. Gritty charcoal shading and dense crosshatched ink strokes define the architecture in high-contrast chiaroscuro, drowning the urban depths in pitch-black shadow punctuated only by eerie screen flicker and the harsh, sickly crimson glow of the machine's red optical arrays. Fine grey ash drifts downward through visible static and horizontal scanline glitches, settling exclusively on upward-facing surfaces of server racks and metallic shoulders, while low fog curls in tight vortices around the marching automaton ankles. Cosmic dread.
C9I
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