宇宙を舞う少女の幻想的な光景
この美しいイラストには、宇宙を背景に無重力で浮かぶ少女の姿が描かれています。彼女の物語や夢を感じさせるその表情と動きに惹き込まれます。私はこの幻想的なアートに心を奪われました！ぜひいいねやフォローで応援してね。次の作品もお楽しみに！
Show Parameters
- Original Prompt
- anime screenshot, anime style, strong frontal key light, soft front fill light, bright and evenly lit face, face prioritized lighting, magical girl, mature female, older sister vibe, calm and resolute expression, slightly narrowed eyes, quiet determination, decisive presence, side view, side shot, body turned toward the target, eyes fixed forward, long wavy dark navy hair flowing in zero gravity, emerald green gemstone-like eyes, high quality iris, white and blue color scheme magical outfit, sleek leotard base with short layered skirt, platinum accents, blue gemstones, bare hand extended forward, powerful magic released directly from the hand, focused blue energy beam, controlled but overwhelming magical force, target is a corrupted artificial satellite, dark AI core embedded inside, malfunctioning structure, being destroyed and neutralized by magic, outer space setting, many small stars, no nebula, no milky way, Earth visible below, curved edge of the planet, blue oceans and white clouds, final confrontation, ending the threat, shutting down the dark AI look at satellite
- Quality Tag
- high quality, year_2025, year_2024, ﹝Prompts﹞
- Size
- 768 x 1280
- Sampling Steps
- 25
- Sampling Method
- Euler
- CFG Scale
- 4.6
- Negative
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
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