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金髪お姫様型ロボットちゃん：Blonde Princess-Type Robot Girl
Show Parameters
- Original Prompt
- ,living room, glass table, television, game console, sofa,all fours, arched back, elbows on ground, bent knees, hip raised, head rest,(((robot joints,robot ears,mechanical eyes))),girl, cute, light smile, blond hair,very long hair,wavy hair,hime cut, large breasts,Yellow eyes,elegant,princess,princess dress, frills, lace, wide skirt,corset,Tiara,Long gloves
- Quality Tag
- high quality, year_2025, year_2024, ﹝Prompts﹞
- Size
- 992 x 1280
- Sampling Steps
- 25
- Sampling Method
- Euler
- CFG Scale
- 4.5
- Negative
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
Model & LoRA used
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niyaniya, creating soft, the style is changed to a mature, semi-realistic painterly anime rendering with high detail and sharp focus, absurdres, ultra-detailed detailed skin, glossy skin, detailed hair, cinematic lighting, backlighting, lens flare, depth of field, 1girl, professor niyaniya\(blue archive\), blue archive, android, android girl, humanoid robot, robot girl, mecha girl, mechanization, robotization, gynoid, robot joints, mechanical joints, exposed mechanical details, mechanical exposure, mechanical parts, mechanical body, robot body, mechanical skin, robot skin, cyborg, cyborg girl, mechabare, mecha musume, light blonde hair, wavy hair, green eyes, long hair, lying supine, on back, sleek high-tech holographic reprogramming station, dimly lit laboratory, transparent glass surface, glowing soft blue holographic UI overlays, surface subtly pulsing with energy, soft cinematic rim lighting from above, gentle shadows, slight curves of body, mechanical details of joints, multi-view composition, three vertical panels, side-by-side, front three-quarter view, full frontal view, legs slightly parted, side profile view, plump rounded ass, consistent character design, consistent lighting, large semi-transparent holographic screen floating above torso, animated code, glowing blue and pink text, readable text, SYSTEM UPDATE, Core Stability 97%, Pleasure Protocol MAX, floating data streams, animated hearts, sparkles, orbiting screen, soft glow, reflecting on glossy skin, reflecting on station glass
Heaven Canceler
御主人様、今朝の御命令をどうぞ
名無しのジョン
niyaniya, creating soft, the style is changed to a mature, semi-realistic painterly anime rendering with high detail and sharp focus, absurdres, ultra-detailed detailed skin, glossy skin, detailed hair, cinematic lighting, backlighting, lens flare, depth of field, 1girl, professor niyaniya\(blue archive\), blue archive, android, android girl, humanoid robot, robot girl, mecha girl, mechanization, robotization, gynoid, robot joints, mechanical joints, exposed mechanical details, mechanical exposure, mechanical parts, mechanical body, robot body, mechanical skin, robot skin, cyborg, cyborg girl, mechabare, mecha musume, light blonde hair, wavy hair, green eyes, long hair, lying supine, on back, sleek high-tech holographic reprogramming station, dimly lit laboratory, transparent glass surface, glowing soft blue holographic UI overlays, surface subtly pulsing with energy, soft cinematic rim lighting from above, gentle shadows, slight curves of body, mechanical details of joints, multi-view composition, three vertical panels, side-by-side, front three-quarter view, full frontal view, legs slightly parted, side profile view, plump rounded ass, consistent character design, consistent lighting, large semi-transparent holographic screen floating above torso, animated code, glowing blue and pink text, readable text, SYSTEM UPDATE, Core Stability 97%, Pleasure Protocol MAX, floating data streams, animated hearts, sparkles, orbiting screen, soft glow, reflecting on glossy skin, reflecting on station glass
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
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The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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