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AI art "Not so friendly neighborhood spiderman" featuring #Marvel and #Spider-Man
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Not so friendly neighborhood spiderman

#Marvel#Spider-Man
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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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nv
1girl, solo, hyper-muscular female spider-hero, exceptionally tall massive physique, deeply chiseled towering muscles, ultra-defined six-pack abs, expansive shoulders, muscular arms, muscular legs, thick muscular thighs, watermelon-sized massive breasts, puffy nipples, muscular hourglass figure, curvaceous voluptuous busty body, massive ass, absurdly wide childbearing hips, cameltoe, form-fitting tactical spider-suit, chrome-like reflective material, glossy black tactical skintight cropped daisy duke shorts, massive aggressive black spider emblem covering entire chest wrapping around shoulders, large relaxed hood pulled over masked face integrated into suit, glowing neon-gold accent lines and piping on suit and hood seams, low powerful crouch, crouching, perched atop stone gargoyle, looking down, full-body, from below, three-quarter front view, dutch angle, comic book illustration, deep comic book ink shadows, heavy cross-hatching, highly detailed muscle definition, neon-lit cyberpunk city at night, mirrored cityscape lights in chrome, wet gloss highlights, night, cinematic lighting, confident, imposing, A full-body three-quarter front view shot taken from below and slightly off-axis, so the camera sits at the level of the gargoyle's taloned feet and looks up along the diagonal of one long, planted leg. The woman crouches low on the gargoyle's ridged stone spine: her left foot is set flat on the wet stone with the knee driven far forward over the toes, her right leg swept back and folded so the shin rests along the stone, toes gripping the ledge in the gap between two talons; her hips sink low between those two supports, weight riding on the front heel and the rear shin, and her torso leans forward over the forward knee. Her right arm hangs down between her legs, knuckles braced on the stone between her feet, elbow locked and shoulder packed; her left arm rests its forearm across the forward thigh near the knee, hand loose and relaxed, thumb hooked into the chrome suit's hip seam. The crouch compresses and stacks her—vast shoulders bunching up around the lowered hood, the six-pack ridging forward as the spine curves, the thick thighs and calves swelled hard by the deep knee bend, the massive glutes and wide hips stretched taut against the shorts where the pose pulls them back and flat. The suit is poured over that frame as a single chrome-black skin: a mirror-polished, liquid-metal surface that catches the city behind her in long warped vertical streaks down the outer thigh, the deltoid and the forearm, the reflections bending and narrowing over every rounded muscle, the deep cuts between muscles reading as black troughs where no reflection can land. The massive spider emblem spreads its legs across the whole chest and carries over the tops of both shoulders, its black silhouette matte against the chrome so it stands distinct from the mirror sheen, and the neon-gold piping runs as thin hot lit lines along the seam down the center of the hood, around the hood's opening, over the shoulder seams and down the outer legs, glowing rather than reflecting. The shorts sit black and butter-glossy under the chrome torso, tight across the hips and pulled into the crease at the crotch, a bright wet highlight riding the top of the thigh. The large relaxed hood is pulled fully forward over her head, its fabric chrome and its gold-seamed edge cutting a curve across the masked face beneath, the eye lenses just visible as pale reflective ovals under the brim, angled down and out over the city—she is looking down along the line of her own forward knee toward the street below, chin dropped, still, patient, watching. Behind and below her the neon city opens out: a sheer drop of dark building faces, packed signage in magenta, cyan and acid-yellow stacked in receding layers, air-traffic light-trails smeared long across the depth of field, rooftop vents breathing steam that curls up past the gargoyle's wing and crosses in front of her forward shin. The chrome catches those lights as the only brights on her body, while the deep comic-ink blacks hold the underside of the hood, the far side of the torso, the inside of the rear thigh and the shadowed half of the gargoyle. The gargoyle's stone is pitted and streaked, wet from the drizzle, and where her left foot presses flat the thin film of water has been squeezed out into a dark print with a bright bead of water trembling at its edge; droplets stand only on the up-facing stone ledges and on the top planes of her shoulders and hood, and none cling to the vertical chrome faces. Below the ledge the city drops away into unlit haze, an abyss of black with the neon bleeding into it. Palette of chrome-black, hot neon gold, magenta and cyan spill, and wet stone gray, nothing else admitted. Bold black ink outlines, dense hatched shading in the blacks, saturated neon accents and sharp metallic highlights throughout; heavy, watching, larger than life.
Nevada Vegas
AI artwork
r0
character: spider-gwen 1girl, solo, full body, action pose, mid-air, masked, white mask, large white eye lenses, pink lens borders, hood up, hooded bodysuit, white and black bodysuit, spider web pattern inside hood, teal soles, acrobatic, dynamic angle, from below, low angle, perspective, foreshortening, outstretched arm, holding web line, bent knee, night, city, skyscrapers, neon lighting, rim light, highly detailed A dynamic low-angle full-body shot captures the masked heroine suspended mid-air in a fluid acrobatic maneuver between soaring high-rises. Her face is completely concealed behind a sleek white mask featuring large, angular white eye lenses rimmed in vivid magenta, with the fabric hood pulled over her head to reveal the bright pink-and-teal webbing pattern patterned on its interior lining. Her body twists dynamically along a diagonal axis: her left arm reaches upward, hand tightly gripping a taut, crystalline white webline that stretches out of frame, while her right arm splays downward for balance. Her right leg is tucked tightly toward her torso while the left leg extends diagonally downward, fully displaying the sleek black-and-white paneled suit and the electric teal soles of her footwear. Below her, the dizzying drop of an urban canyon recedes into deep perspective, dotted with glowing office windows and neon signage in cyan and magenta. Crisp edge lighting in hot pink traces the contour of her white shoulders and hood, contrasting against deep shadows on the suit's black sections, while upward wind resistance pulls the fabric of her hood taut against her crown. Electrifying kinetic momentum.
Rider 09 MK2 (Rider09)

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