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2026年: ラブライブニセコイ19周年

#The Idolmaster#Haruka Amami#Love Live! School Idol Project#Nozomi Tojo#Eli Ayase#Honoka Kousaka#Yazawa Nico#Nishikino Maki#Sonoda Umi#Minami Kotori#Koizumi Hanayo#Hoshizora Rin#Shinomiya Karen#Love Live!#Hachimiya Meguru#Shirase Sakuya#Tsukioka Kogane#The Idolmaster Shiny Colors#Amana Osaki#Tenka Osaki#Koito Fukumaru#Madoka Higuchi#Toru Asakura
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nisekoi, masterpiece, best quality, Eleven girls from the Nisekoi series stand elegantly in a luxurious casino setting, each wearing long halterneck dresses in vibrant colors—Kousaka Honoka in orange, Ayase Eli in cyan, Minami Kotori in white, Toujou Nozomi in purple, Sonoda Umi in blue, Koizumi Hanayo in green, Hoshizora Rin in yellow, Nishikino Maki in red, Yazawa Nico in pink, Osaki Amana in pale pink, and Osaki Tenka in pale blue. The girls mingle in small groups, some chatting, others playfully gambling, their expressions ranging from confident smirks to excited laughter. The casino ambiance is rich with golden chandeliers, velvet curtains, and polished mahogany tables, creating a glamorous yet lively atmosphere.
Show Parameters
Original Prompt
Anime style, Nisekoi series, Kousaka Honoka, Ayase Eli, Minami Kotori, Toujou Nozomi, Sonoda Umi, Koizumi Hanayo, Hoshizora Rin, Nishikino Maki, Yazawa Nico, Osaki Amana, Osaki Tenka, Kousaka Honoka wearing orange long halterneck dress, Ayase Eli wearing cyan long halterneck dress, Minami Kotori wearing white long halterneck dress, Toujou Nozomi wearing purple long halterneck dress, Sonoda Umi wearing blue long halterneck dress, Koizumi Hanayo wearing green long halterneck dress, Hoshizora Rin wearing yellow long halterneck dress, Nishikino Maki wearing red long halterneck dress, Yazawa Nico wearing pink long halterneck dress, Osaki Amana wearing pale pink long halterneck dress, Osaki Tenka wearing pale blue long halterneck dress, kousaka honoka joins minami kotori and toujou nozomi, kousaka honoka joins ayase eli and sonoda umi, kousaka honoka joins koizumi hanayo and hoshizora rin, kousaka honoka joins nishikino maki and yazawa nico, kousaka honoka joins osaki amana and osaki tenka, osaki amana joins osaki tenka and kousaka honoka, osaki amana joins minami kotori and toujou nozomi, osaki amana joins ayase eli and sonoda umi, osaki amana joins koizumi hanayo and hoshizora rin, osaki amana joins nishikino maki and yazawa nico, osaki tenka joins kousaka honoka and osaki amana, osaki tenka joins minami kotori and toujou nozomi, osaki tenka joins ayase eli and sonoda umi, osaki tenka joins koizumi hanayo and hoshizora rin, osaki tenka joins nishikino maki and yazawa nico, nishikino maki joins ayase eli and sonoda umi, yazawa nico joins koizumi hanayo and hoshizora rin, eleven girls can gambling, Nisekoi Casino, masterpiece, best quality,
Quality Tag
high quality, year_2025, year_2024, ﹝Prompts﹞
Size
1280 x 768
Sampling Steps
25
Sampling Method
Euler
CFG Scale
4.5
Negative
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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