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THANK Y'ALL FOR THE FOLLOWERS!!🥳🥳🥳
HOLY CRAP!!! I'VE GAINED FOLLOWERS AND IT MADE ME HAPPY!!! AND I GOT FOLLOWED BY KIJOO?!?! OMG, UHHH, THAT'S SO COOL, ALSO, I LIKE UR ARTWORKS KIJOO!! ANYWAYS, UR FOLLOWS HELPED ME PRODUCE MORE ARTWORKS (IF I HAVE THE TIME AND I'LL TRY MY BEST TO IMPROVE EM FOR Y'ALL!!!) SO THANK U AND UHHH, I WAS SUPPOSEDLY ABT TO USE RYOMI IN MY ARTWORK BUT THIS RANDOM GUY JUST POPPED IN BUT HE GOOD LOOKIN THO👀👀 (I'LL JUST NAME HIM KARL) AND ANYWAYS, THANK U ONCE AGAIN FOR THE FOLLOWERS AND I LOVE Y'ALL🥳🥳🥳
Show Parameters
- Original Prompt
- anime boy, short messy layered hair with bangs, cheerful expression, both eyes closed in a wink, open laughing mouth, blush lines on cheeks, head slightly tilted, both hands raised making peace signs near the face, energetic pose,x___ooxoo___x,Aes_stylemix,Sticker diary page,extra details,text,random background, confetti, "THANK YOU!!!" text printed on top, shiny effects, colorful background
- Size
- 896 x 1152
- Sampling Steps
- 27
- Sampling Method
- Euler a
- CFG Scale
- 7
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
HiRes
Model & LoRA used
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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