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Leon S. Kennedy, Resident Evil
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- Original Prompt
- 2boys, leon_s._kennedy (pale brown hair,shaved face,40 years old, back, holster, black shirt, hair over one eye, holding axe) fighting the commander_(resident_evil_requiem)(solo,cargo_pants,gloves,fatigues,boots,holster,kneepads,balaclava,gasmask,spec_ops_gear,body_armor,radio,axe,holding_axe). two men uses axes to fight each other in a intense action combat
- Quality Tag
- high quality, year_2025, year_2024, ๏นPrompts๏น
- Size
- 768 x 1280
- Sampling Steps
- 25
- Sampling Method
- Euler
- CFG Scale
- 4.5
- Negative
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name,3D
Model & LoRA used
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character: leon_s._kennedy, copyright: resident_evil_requiem
1man, solo, short hair, curtain bangs, parted bangs, light brown hair, blue eyes, intense gaze, furrowed brow, mature male, holding weapon, handgun, aiming, two-handed grip, tactical stance, black fitted shirt, shoulder holster, tactical vest, fingerless gloves, dark cargo pants, utility belt, cowboy shot, from below, three-quarter view, dutch angle, weapon light, tactical flashlight, flashlight beam, indoor, ruined corridor, concrete wall, dark, rim light, volumetric lighting, dust motes, chiaroscuro
From a low-angle three-quarter perspective with a dynamic Dutch tilt, a cowboy shot captures an athletic male operative braced in a tactical shooting stance inside a derelict industrial corridor. His center-parted, curtained light brown hair falls in sharp strands around his temples, slightly disheveled by motion, while his focused blue eyes sight down the raised iron barrel of a matte-black semi-automatic handgun. His brow is intensely furrowed and his jaw set firm in concentration.
Both arms are extended forward in a rigid, isosceles combat grip: his right gloved hand wraps firmly around the textured pistol grip with the trigger finger poised along the guard, while his left hand supports the base and clasps over the fingers beneath. A weapon-mounted tactical flashlight attached under the gun barrel casts a blinding, conical beam of stark white light forward, illuminating drifting airborne dust motes and micro-mist in the cold air. The operative's torso is bladed slightly away from the camera, wearing a form-fitting black tactical long-sleeved shirt pulled taut across broad shoulders, overlaid with reinforced leather shoulder holster straps and utility harnesses that buckle securely across his chest. Dark combat trousers tuck into heavy boots firmly planted on the cracked, damp concrete floor, his back heel resting just at the margin of a shallow puddle where the water's surface trembles.
The primary illumination comes from the harsh forward tactical beam and a faint, flickering cyan emergency strip light recessed in the ceiling behind him, carving a sharp rim light along the contours of his jaw, shoulders, and the brushed steel slide of the firearm. Deep, velvety shadows swallow the background walls and exposed overhead piping, while the floor reflects a fractured, desaturated streak of the overhead light. The palette is disciplined in cool gunmetal slate, charcoal, and industrial navy, pierced only by the incandescent spear of the flashlight beam. Tense tactical suspense.
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Leon Kennedy
LG
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
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