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Enzo Javier López

ej

Enzo Javier López

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1boy, fujimaru ritsuka (fate/grand order), black hair, blue eyes, dark blue hoodie, white ink circle (freshly painted), black face mask, hood up, night background, rooftop, 748cmstyle, masterpiece, looking at viewer, urban setting, city lights
Show Parameters
Original Prompt
crea una imagen de fujimaru ritsuka(gudao) de fate Grand order, pelo negro y ojos azules, con sudadera azul oscuro con un círculo de tinta blanca recién pintada, ,748cmstyle, tiene un cubrebocas negro liso y la capucha puesta, fondo de noche, está en una azotea de un edificio
Size
896 x 1152
Sampling Steps
15
Sampling Method
Euler a
CFG Scale
2.5
Negative
lowres, bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, transparent background, censored, (simple background:1.4), artist name, signature, watermark

Model & LoRA used

Hassaku-Mix-IL - AI Model cover image

SDXL

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Porcelain-like Skin, Cool tone - AI Model cover image

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Porcelain-like Skin, Cool tone
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748cm | Style for NoobAI V-Pred-0.75S - AI Model cover image

User LoRA

748cm | Style for NoobAI V-Pred-0.75S
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Avatar image of 来世は男になってBLする
boy, high image quality, turtleneck, refined modern anime, sharp delicate line art, mature male, sharp jawline, glossy black hair with blue-gray highlights, expressive eyes, rich cel shading, smooth gradients, luminous highlights, warm peach skin, pink undertones, rosy complexion, glossy skin, female, male, crisp and clean line art, painterly shading, soft and fluffy color palette, pale and delicate colors, well-proportioned and attractive appearance, an extremely detailed and carefully rendered face, delicate facial details, black hair, black eyes, mash hair, straight-cut bangs, uniform, black hoodie, wearing a hood, wearing a black mask, boy
来世は男になってBLする

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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#Attack on Titan#Mikasa Ackerman
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