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masterpiece, best quality, huwari (dnwls3010), 2.0::artist:ie (raarami)::, artist:tianliang duohe fangdongye, artist:omutatsu:1.1, artist:wagashi (dagashiya):0.7, hassan (sink916), arachnid war machine, hexapod, weathered metal, weaponized, armed, mounted gatling guns, laser cannons, aggressive pose, no humans
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masterpiece, best quality, huwari (dnwls3010),2.0::artist:ie (raarami)::, artist:tianliang duohe fangdongye, artist:omutatsu:1.1, artist:wagashi (dagashiya):0.7), hassan (sink916), ,arachnid war machine,hexapod,weathered metal,weaponized,armed,mounted gatling guns,laser cannons,aggressive pose, no humans,
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1024 x 1024
Sampling Steps
20
Sampling Method
Euler a
CFG Scale
5
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worst quality,old,early,low quality,lowres,signature,watermark,username,logo,bad hands,mutated hands,mammal,furry,halo,man,nsfw,nsfw,nsfw,nsfw,nsfw,nsfw,nsfw,nsfw,nsfw,nsfw,nsfw,nsfw,nsfw,nsfw,nsfw,nsfw,man,man,man,man,hairpin

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自1
no humans, 1robot, mech, mecha, reverse-jointed legs, robot joints, actuator, gas cylinder, headless, heavy armor, holding weapon, holding sword, shield, arm-mounted shield, science fiction, heavy machinery, full body, from below, low angle, wide stance, mechanical parts, hydraulic piston, metal plating, weathered, concrete, steam, overcast, dynamic angle From a low angle looking up, a colossal combat mech looms in a wide, battle-ready stance across cracked concrete. The machine is completely headless; its massive chest chassis slopes directly into a flat, reinforced collar plate of thick slab armor, devoid of any head unit or elevated cockpit dome, housing only recessed horizontal sensor slits and vented intake cowlings along the upper hull. Its reverse-jointed mechanical legs bend sharply backward at the mid-limb knee joints, with polished steel hydraulic actuators and dual gas cylinders visibly bracketing each heavy pivot, telescoping under the machine's immense tonnage. The articulated multi-toed footpads crush directly into the scored pavement, fracturing the aggregate surface beneath their weight. Its right three-jointed industrial manipulator tightly grips the milled hilt of a broad, slab-sided steel sword angled downward toward the earth, while its left forearm bears a massive, multi-faceted ballistic shield bolted securely to heavy lateral hardpoints. Cool, diffused daylight strikes the matte gunmetal and olive-drab armor from above, casting sharp, dense cast shadows directly under the chassis and highlighting the exposed chrome rods of the leg pistons. Plumes of white coolant steam vent from low-pressure exhaust ports on the flanks, condensing instantly into bead droplets along the chilly exterior plating. Crushing mechanical presence.
自動建設者13番

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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