Mrs. Yuigahama in Attack on Titan
Show Parameters
- Original Prompt
- score_9, score_8_above, score_7_above, score_6_above, score_5_above, score_4_above, masterpiece, perfect face, perfect eyes, 1 girl, masterpiece, intricate details, ultra-detailed, AI-generated, beautiful scenery, best quality, amazing quality, black and red uniform, Attack on Titan uniform, 1-piece mini dress, (loose dress), ((leggins: 1.2)), combat gloves, absurd, very aesthetic, best composition, best angle, newest, beautiful eyes, detailed eyes, HD eyes, vibrant colors, beautiful scenery, best quality, amazing quality, absurd, crazy eyes, bloodshot eyes, muscular, very aesthetic, best composition, best angle, newest, beautiful eyes, detailed eyes, HD eyes, vibrant colors, prison scenery, mother yuigahama, yuigahama yui's mother, hair bun, orange eyes, orange hair, short hair, single hair bun, hair between eyes, sidelocks, mature female, large breasts, firm breasts, narrow waist, flat abdomen, (defined and toned thighs: 1.3), (shiny skin), sexy legs, short legs, anime screencap, warden, gothic fashion, huge breasts, puffy breasts, narrow waist, abs, tick and toned thighs, sexy legs, short legs, asymmetrical hair, scar over the eye, shiny skin, (shy expression, smile), Sitting in a chair, legs crossed, combat boots, holding remote control, watching TV, score_9, score_8_up, score_7_up, score_6_up, anime_origin, disgusted face, mother yuigahama, yuigahama yui's mother, hair bun, orange eyes, orange hair, short hair, single hair bun, hair between eyes, sidelocks, mature female, breasts, anime screencap
- Size
- 768 x 1280
- Sampling Steps
- 15
- Sampling Method
- Euler a
- CFG Scale
- 2.9
- Negative
- lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose,
Face Fix
Model & LoRA used
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1girl, solo, adult, mature female, masterpiece, ultra detailed, bust up, light peach blonde layered bob, long bangs, flipped ends, amber eyes, calm smile, white and light grey asymmetric long coat, knee-length coat, large deep crimson vertical panel on one side, black diagonal pattern on hem, black collar, two-tone shoulder, brown skin-tight bodysuit under coat, chest zipper, grey trim, multiple tactical belts at waist, metal buckles, thigh straps, brown tactical gloves, shoulder harness, small communication device on chest, cylindrical equipment with yellow label, tactical collar, asymmetric long boots, segmented armor plates covering knee and shin, thick sole, red heel accent, large black tactical rifle, scope, precise mechanical details, precise costume stitching, realistic material texture, distinguished metal and cloth textures, dark brown hair tied in ponytail, gentle expression, dark grey tactical uniform, long-sleeved military jacket, backpack, practical equipment, sitting in front of desk, leaning forward slightly, working posture, one elbow on desk, one hand near temple, other arm extended on desk near keyboard, shoulders slightly forward, head tilted, looking back at viewer, body facing desk, turned head, focused, calm, cinematic portrait, medium shot, front diagonal angle, eye level camera, vertical composition, futuristic operations room, surveillance control room, multiple computers, monitors, displays, keyboard, documents, cables, small electronic devices, background monitors with text and data, blurred background, soft reflected light, cinematic shading, by wanke
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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