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Dddd

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A tall, slender male figure with long, flowing white hair that cascades down past his waist, shimmering faintly as if catching the light. His pale, almost translucent skin gives off an ethereal, icy impression, with a faint blue undertone when illuminated. Sharp, deep-set eyes in a glacial blue hue gaze forward with an unreadable, cold expression, framed by long, delicate lashes and subtle shadows beneath. His nose is straight and refined, lips thin and pale with a barely-there rosy tint, and his expression remains ambiguously tense. He wears a form-fitting black jacket with angular shoulders, adorned with silver chains and cross motifs that contrast starkly against the dark fabric. One gloved hand, clad in black leather with lace accents, lifts the jacketโ€™s collar slightly, fingers poised with restrained tension. His elongated neck and collarbones bear faint, crack-like black markings that spread like delicate fractures across his skin. The composition is dominated by stark whites, deep blacks, and metallic silvers, enhancing his striking presence. The atmosphere is cold, quiet, yet laced with an underlying sense of danger and decadence. Rendered in a semi-realistic, painterly style with soft volumetric shading, smooth gradients, and fine line details. The muted warm palette blends ivory and cream tones, with delicate brushwork and subtle gouache textures for a refined, nihonga-inspired aesthetic.
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Original Prompt
๊ธด ๋ฐฑ์ƒ‰์˜ ๋จธ๋ฆฌ์นด๋ฝ์€ ๋น›์„ ๋จธ๊ธˆ์€ ๋“ฏ ์€์€ํ•˜๊ฒŒ ๋ฐ˜์ง์ด๋ฉฐ, ํ—ˆ๋ฆฌ ์•„๋ž˜๊นŒ์ง€ ๋ถ€๋“œ๋Ÿฝ๊ฒŒ ํ˜๋Ÿฌ๋‚ด๋ฆฐ๋‹ค. ๊ฒฐ์ด ๋งค์šฐ ๊ฐ€๋Š˜๊ณ  ์„ฌ์„ธํ•ด ๊ณต๊ธฐ๋งŒ ์Šค์ณ๋„ ํํŠธ๋Ÿฌ์งˆ ๊ฒƒ์ฒ˜๋Ÿผ ๊ฐ€๋ณ๊ณ , ๋ช‡ ๊ฐ€๋‹ฅ์€ ์•ž์ชฝ์œผ๋กœ ํ˜๋Ÿฌ๋‚ด๋ ค ์–ผ๊ตด์„ ์„ ๋”ฐ๋ผ ์–‡๊ฒŒ ๊ฑธ๋ฆฐ๋‹ค. ํ•œ์ชฝ์€ ๋А์Šจํ•˜๊ฒŒ ๋ฌถ์—ฌ ์žˆ์–ด ์™„์ „ํžˆ ์ •๋ˆ๋˜์ง€ ์•Š์€ ๊ท ํ˜•์ด ์˜คํžˆ๋ ค ๋” ์ž์—ฐ์Šค๋Ÿฝ๊ณ  ๋‚˜๋ฅธํ•œ ์ธ์ƒ์„ ๋งŒ๋“ ๋‹ค. ํ”ผ๋ถ€๋Š” ๊ฑฐ์˜ ์ƒ‰์„ ์žƒ์€ ๋“ฏ ์ฐฝ๋ฐฑํ•˜๊ณ  ํˆฌ๋ช…ํ•˜๋‹ค. ํ˜ˆ์ƒ‰์ด ๊ฑฐ์˜ ๋А๊ปด์ง€์ง€ ์•Š์•„ ์ฐจ๊ฐ‘๊ณ  ๋น„ํ˜„์‹ค์ ์ธ ๋ถ„์œ„๊ธฐ๋ฅผ ์ฃผ๋ฉฐ, ๋น›์„ ๋ฐ›์œผ๋ฉด ํ‘ธ๋ฅธ ๊ธฐ๊ฐ€ ๋„๋Š” ๋“ฏํ•œ ๋ง‘์€ ํ†ค์„ ๋ค๋‹ค. ๋ˆˆ์€ ๊นŠ๊ณ  ๋‚ ์นด๋กญ๊ฒŒ ํŒŒ์ธ ํ˜•ํƒœ๋กœ, ๊ธธ๊ฒŒ ์ฐข์–ด์ง„ ๋ˆˆ๋งค๊ฐ€ ์ธ์ƒ์„ ๊ฐ•ํ•˜๊ฒŒ ๋งŒ๋“ ๋‹ค. ๋ˆˆ๋™์ž๋Š” ์˜…์€ ๋น™์ฒญ์ƒ‰์œผ๋กœ, ์ค‘์‹ฌ๋ถ€๋Š” ๋” ๋ง‘๊ณ  ํˆฌ๋ช…ํ•˜๋ฉฐ ๊ฐ€์žฅ์ž๋ฆฌ๋กœ ๊ฐˆ์ˆ˜๋ก ํ๋ฆฟํ•˜๊ฒŒ ๋ฒˆ์ง„๋‹ค. ์‹œ์„ ์€ ์ •๋ฉด์„ ๊ณง๊ฒŒ ํ–ฅํ•˜๊ณ  ์žˆ์ง€๋งŒ ๊ฐ์ •์ด ์ฝํžˆ์ง€ ์•Š์„ ๋งŒํผ ์ฐจ๊ฐ‘๊ณ  ๊ณ ์š”ํ•˜๋‹ค. ์†๋ˆˆ์น์€ ๊ธธ๊ณ  ๊ฐ€๋Š˜๊ฒŒ ๋ป—์–ด ์žˆ์œผ๋ฉฐ, ๋ˆˆ ๋ฐ‘์—๋Š” ์•„์ฃผ ์˜…์€ ์Œ์˜์ด ๊น”๋ ค ์žˆ์–ด ํ”ผ๋กœ๊ฐ๊ณผ ํ‡ดํ์ ์ธ ๋ถ„์œ„๊ธฐ๋ฅผ ๋™์‹œ์— ํ’๊ธด๋‹ค. ์ฝง๋Œ€๋Š” ๋†’๊ณ  ๊ณง๊ฒŒ ๋–จ์–ด์ง€๋ฉฐ, ๋๊นŒ์ง€ ํํŠธ๋Ÿฌ์ง ์—†์ด ์ •๋ˆ๋œ ์„ ์„ ์œ ์ง€ํ•œ๋‹ค. ์ž…์ˆ ์€ ์–‡๊ณ  ์ƒ‰์ด ์˜…์–ด ๊ฑฐ์˜ ์ฐฝ๋ฐฑํ•œ ์žฅ๋ฐ‹๋น›์— ๊ฐ€๊น๋‹ค. ์ž…๊ผฌ๋ฆฌ๋Š” ๋ฏธ๋ฌ˜ํ•˜๊ฒŒ ๋‚ด๋ ค๊ฐ€ ์žˆ์–ด ๋ฏธ์†Œ๋„, ๋ฌดํ‘œ์ •๋„ ์•„๋‹Œ ์• ๋งคํ•œ ๊ธด์žฅ๊ฐ์„ ๋งŒ๋“ ๋‹ค. ๋ชฉ์„ ์€ ๊ธธ๊ณ  ๊ฐ€๋Š˜๋ฉฐ, ์‡„๊ณจ ์•„๋ž˜๋กœ ์ด์–ด์ง€๋Š” ํ”ผ๋ถ€์—๋Š” ๊ฒ€์€ ๊ท ์—ด์ฒ˜๋Ÿผ ํผ์ง„ ๋ฌธ์–‘์ด ์–‡๊ฒŒ ์ƒˆ๊ฒจ์ ธ ์žˆ๋‹ค. ์ด๋Š” ํ”ผ๋ถ€ ์œ„๋ฅผ ๋”ฐ๋ผ ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ ๋ฒˆ์ง€๋“ฏ ์ด์–ด์ง€๋ฉฐ, ์ฐจ๊ฐ€์šด ์ธ์ƒ ์†์— ๋ฌ˜ํ•˜๊ฒŒ ์œ„ํƒœ๋กœ์šด ๋А๋‚Œ์„ ๋”ํ•œ๋‹ค. ์˜์ƒ์€ ๊นŠ์€ ํ‘์ƒ‰์˜ ์žฌํ‚ท์œผ๋กœ, ๋ชธ์— ๋”ฑ ๋งž๊ฒŒ ๋–จ์–ด์ง€๋Š” ์‹ค๋ฃจ์—ฃ์ด๋‹ค. ์–ด๊นจ์„ ์€ ๊ฐ์ด ์žกํ˜€ ์žˆ์–ด ๋‹จ์ •ํ•˜๊ณ , ์ „์ฒด์ ์œผ๋กœ ๊ตฐ๋”๋”๊ธฐ ์—†์ด ๋‚ ๋ ตํ•˜๋‹ค. ์žฌํ‚ท์—๋Š” ์€๋น› ์ฒด์ธ๊ณผ ์‹ญ์ž๊ฐ€ ์žฅ์‹์ด ์—ฌ๋Ÿฌ ๊ฒน์œผ๋กœ ์—ฐ๊ฒฐ๋˜์–ด ์–‘์ชฝ ์–ด๊นจ์™€ ๊ฐ€์Šด์„ ๋”ฐ๋ผ ๋Š˜์–ด์ ธ ์žˆ๋‹ค. ๊ธˆ์† ์žฅ์‹์€ ์ฐจ๊ฐ‘๊ฒŒ ๋น›๋‚˜๋ฉฐ, ์–ด๋‘์šด ์˜ท๊ฐ ์œ„์—์„œ ๋”์šฑ ๋˜๋ ทํ•˜๊ฒŒ ๋Œ€๋น„๋œ๋‹ค. ์†์—๋Š” ๊ฒ€์€ ๊ฐ€์ฃฝ ์žฅ๊ฐ‘์„ ๋ผ๊ณ  ์žˆ์œผ๋ฉฐ, ํ•œ ์†์€ ์˜ท๊นƒ์„ ๊ฐ€๋ณ๊ฒŒ ์žก์•„ ์ž…๊ฐ€๊นŒ์ง€ ๋Œ์–ด์˜ฌ๋ฆฐ ์ƒํƒœ๋‹ค. ์†๊ฐ€๋ฝ์€ ๊ธธ๊ณ  ์„ฌ์„ธํ•˜์ง€๋งŒ ํž˜์ด ์‹ค๋ ค ์žˆ์–ด, ๋™์ž‘ ํ•˜๋‚˜์—๋„ ์ ˆ์ œ๋œ ๊ธด์žฅ๊ฐ์ด ๋А๊ปด์ง„๋‹ค. ์žฅ๊ฐ‘ ๋์—๋Š” ๋ ˆ์ด์Šค ์žฅ์‹์ด ๋ง๋Œ€์–ด์ ธ ์žˆ์–ด ์ฐจ๊ฐ€์šด ์ธ์ƒ ์†์— ๋ฏธ๋ฌ˜ํ•œ ์žฅ์‹์„ฑ์„ ๋”ํ•œ๋‹ค. ์ „์ฒด์ ์œผ๋กœ ์ƒ‰๊ฐ์€ ํฐ์ƒ‰๊ณผ ๊ฒ€์ •, ๊ทธ๋ฆฌ๊ณ  ์€๋น›์œผ๋กœ๋งŒ ๊ตฌ์„ฑ๋˜์–ด ์žˆ์œผ๋ฉฐ, ๋Œ€๋น„๊ฐ€ ๊ฐ•ํ•œ ๋งŒํผ ์ธ๋ฌผ์˜ ์กด์žฌ๊ฐ์ด ๋˜๋ ทํ•˜๊ฒŒ ๋ถ€๊ฐ๋œ๋‹ค. ๋ถ„์œ„๊ธฐ๋Š” ์ฐจ๊ฐ‘๊ณ  ๊ณ ์š”ํ•˜์ง€๋งŒ, ๊ทธ ์•ˆ์— ๊ฐ์ถฐ์ง„ ์œ„ํ—˜์„ฑ๊ณผ ํ‡ดํ์ ์ธ ๋งค๋ ฅ์ด ์ง™๊ฒŒ ๊น”๋ ค ์žˆ๋‹ค.,detailed,masterpiece,digital illustration,slight sketchy quality,midjourney style,semi-realistic,incy's styles,semi-painterly,nihonga-inspired,soft volumetric shading,smooth gradients,semi-thick paint,fine line detail,warm muted palette,ivory and cream tones,delicate brushwork,subtle gouache texture,clean sketch line,male focus,ikemen,
Quality Tag
high quality, year_2025, year_2024, ๏นPrompts๏นž
Size
768 x 1280
Sampling Steps
25
Sampling Method
Euler
CFG Scale
4.5
Negative
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

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AI artwork
์Œ์•ˆ
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
์Œ๋ญ์ง€ ์•ˆ๋˜์„œ ๋‹ค์‹œ ๋ถ€๊ณ„๋งŒ๋“ฌ