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Ansimotoc Gacha Card
Show Parameters
- Size
- 768 x 1280
- Sampling Steps
- 34
- Sampling Method
- Euler a
- CFG Scale
- 5.8
- Negative
- worst quality, old, early, low quality, lowres, signature, username, logo, bad hands, mutated hands, open shirt
Model & LoRA used
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1boy, tall hat, top hat, black coat, black hat, goggles on hat, scythe, holding scythe, popped collar, collared coat, red eyes, short hair, white hair, pale skin, toned male, stone floor, fog, ,MultiStyle,
Professor Fooshnick
1880s, gentlemanly upper-body clothing, creepy smile, classic suit, thin waist, broad shoulders, 1boy, male, watchmaker, clock with minute hand and hour hand, workshop, hell, 170cm slender and elegant physique, eyes shining gold, pupils split thin like clock hands, skin sparsely engraved with golden cracks reminiscent of clock springs, ears sprouting small clock-spring shaped ornaments, clock demon, soft style, pastels, sebonelong style, rough outlines, sketch, watercolor, sharp lineart, thick lineart, cel shading, flat shading
올인
long black fluffy hair, long bangs, long fluffy sidelocks that frame the face. a lone, tall and lanky figure stands close to the frame for a full body but close up shot of their appearance: the character in question is a tall male with a slender body who wears a black top hat with black exoskeletal metal plating on parts of it with two amber mechanical antennae sticking off its top, the man's face is slender and pale, with black sclera eyes with slitted golden glowing pupils with black kohl makeup rimming his smugly squinted eyes. The man wears a sleek and futuristic looking black business suit with very long black sleeves, and on the tops of those long sleeves which partially obscure his hands is more of the black metallic exoskeletal plating thats on his hat. His pants are a similar story: long, sleek and straight with more of that plating stretching down the front and covering his knees to the point the plating covers the top of his black dress shoes, with small amber glowing legs being faintly visible in parts under the plating, indicating that this exoskeletal plating armor on his suit is attached by these legs and other mechanisms under the plating that cannot be seen rather than being affixed to the clothing. His sleek black belt is nothing fancy but the belt buckle, which is a mechanical looking amber eye pattern is rather eyecatching but remains secondary to the focus of the composition, which is a centralized golden stop watch affixed to the top of his long black tie, resting on a bow tie underneath it while an additional long black tie stretches out from under it, this golden stop watch has an internal amber glow rimming the inner clock mechanism with a subtle button on top of it, with a thin gold chain connecting this pocket watch into the left breast pocket on the man's suit. The man wears a faintly visible collared white undershirt under his black suit, giving him an almost prepared sort of appearance. On his back he wears a small air tank like device which almost resembles an insects abdomen: inside is a roiling amber golden glowing fluid with a black exoskeletal flap over its top protecting it from direct attacks. The man also wears bronze gauntlets under his long sleeves, which go past his wrists, giving the impression that he's hiding the equipment he's wearing on his hands. The man stands looking at the camera with one hand open but placed over his right breast as if he's bowing to the viewer, with his other hand daintily held out in a polite gesture off to the side, as the man smiles, his veins, wherever visible, faintly glowing with the same substance in the fluid tank on his back. The background is a glowing expanse of flowing time: gold, bronze and black flow endlessly as clicking gears and cogs click into and out of place within this abstract space the man inhabits as if it were normal to him.
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
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