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- Original Prompt
- (chibi only), tóc màu đỏ, mắt màu đen. tỉ lệ cơ cân đối. Biểu cảm cáu kỉnh. Kiểu tóc: tóc đỏ rối tự nhiên. texture tóc mềm như hơi ẩm, mái dài rũ xuống trán nhưng tách nhẹ sang hai bên. chân mày đậm,(chibi only),full body,refineddoodle,1girl,fox ears,holding a gun,graffiti wall,
- Mode
- standard
- Size
- 768 x 1280
Model & LoRA used
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1girl, beautiful woman, (beautiful illustration, masterpiece, high quality, detailed, high resolution, 16k, high saturation, high contrast, beautiful hair, beautiful eyes, beautiful skin, beautiful clothes, beautiful background, 1 female character, long ponytail:1.2), (1girl:1.2), (white cap:1.3), (night vision device mount:1.2), (amber goggles:1.3), (white combat shirt:1.3), (tan plate carrier:1.3), (vest with multiple pouches and radio:1.2), (shoulder flag patch:1.1), (large camouflage backpack:1.2), (antenna:1.1), (brown tactical gloves:1.1), (white cargo combat pants:1.3), (white hard knee pads:1.2), (leg panels and magazine pouches:1.2), (thigh leg holster:1.2), (olive battle belt:1.1), (white tactical boots:1.1), (carbine with suppressor:1.3), (scope and foregrip:1.2), (white olive and tan color scheme:1.2), (worn dirt and weathering:1.2), (military details:1.2), (shoulder armband:1.0), (expressionless serious:1.1), (medium shot from bust up to waist:1.2), (slightly low angle:1.1), dynamic action pose, (ruined corridor:1.4), (dimly lit corridor:1.3), (long corridor:1.2), (vanishing point disappearing into the distance:1.2), (open door:1.2), (red light leaking from door gap:1.4), (red light reflecting on floor:1.3), (greenish walls:1.3), (green and red complementary colors:1.3), (peeling walls:1.2), (exposed brick:1.2), (dirty concrete walls:1.2), (rough floor:1.2), (debris scattered on floor:1.2), (garbage and debris:1.1), (round ceiling lights:1.1), (low ceiling:1.1), (horror:1.2), (eerie atmosphere:1.3), (claustrophobic feeling:1.2), (volumetric light:1.1), (dark vignette:1.1), (cinematic lighting:1.2)
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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