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Uriel VOGUE Book
Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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희닝
희닝
jm
A professional Vogue magazine cover featuring a high-fashion portrait of a confident young woman posing for a photo shoot. (Two poses), (Two women), (double poses), (high fashion y2k style), (stylish poses, one sitting down, the other stood up leaning forward, squinting, both hands behind back, squint lines under eyes), full body focus, single colour crimson red background with cybersigilism around. At the very top, the bold, iconic serif logo "vogue" is prominently displayed in clean gold typography.
22, 5'9, golden-pale shoulder-length wavy blonde hair, kept perfect, striking against unusually dark, almost black eyebrows — the contrast is the thing people remember about her face. Cool grey, almond-shaped eyes with long lashes, high defined cheekbones, a sharp jawline, very pale skin with pinkish undertones, a small mole under the end of her right eye, and a small downturned mouth that makes her look judgemental or serious by default. Her makeup is simple and expertly done, always by herself. B cup breasts
A Japanese street-fashion magazine cover in a modern anime illustration style, using the composition and graphic design of @layout. Use only the layout and art style from @layout.
The character is Charlotte: [YOUR BODY + HEAD PROMPT]. She appears twice as full illustrations with an identical face, hair and outfit, plus once as a tiny cartoon sticker. She is spoilt, haughty and unpleasant: no smiles, no warmth. She is visibly uncomfortable in her cheap clothes, stiff and awkward, as if they itch and don't fit her properly.
1. Large main figure on the RIGHT side: standing stiffly with her chin lifted, looking down her nose at the viewer over thin rectangular sunglasses slid low on her nose. One arm is stretched lazily toward the camera, holding out a half-empty iced coffee cup for the viewer to take, as if the viewer is her servant, the cup large from wide-angle foreshortening. Her other hand tugs the hem of her baby tee down over her stomach in irritation. Bored, contemptuous expression, lip slightly curled.
2. Smaller figure in the bottom LEFT, fully separate and not overlapping the main figure: crouching low toward the viewer as if scolding someone sitting on the floor, wagging one finger at them while her other hand pulls at the scratchy neckline of her tee. One eye squinted in annoyance, not winking, the other glaring at the viewer, eyebrows furrowed, mouth wide open mid-telling-off.
3. Tiny cartoon sticker in the empty space on the left side, between the margin text blocks: a small doodle of Charlotte in a simpler, looser comic style, drawn as a sticker with a thick white outline. Super-deformed proportions with an oversized head about half her total height, stubby little arms and legs, and simplified rounded features. She is throwing a furious tantrum: stamping one foot, fists clenched, face bright red, cartoon steam puffing from her ears, an angry vein mark on her forehead, little scribble lines around her.
Outfit, identical on all three: plain, Y2K clothes with no logos, worn very neatly — a fitted navy ribbed baby tee with white ringer trim, tucked in; dark indigo low-rise flared jeans with a sharp ironed crease down each leg; slim black belt with a plain silver buckle centred precisely; spotless black platform sneakers with even laces. Three expensive old-money pieces that clash with the cheap outfit: an antique gold signet ring worn on a thin chain around her neck instead of on her finger, small classic pearl stud earrings, and a thin old-fashioned gold wristwatch. A silver pen clipped to her front jeans pocket. Lips shiny with a little too much glossy peach lip gloss. Short, neat, clear-polished nails.
Background: crisp cool white to pale icy blue gradient with faint pale-blue ruled notebook lines and a margin line, like lined writing paper. Clean thin line art, soft cel shading, slightly faded print colours.
Magazine design: huge bold black serif masthead reading "IRIS", partly hidden behind her head. Small blocks of Japanese text in the margins, issue number and barcode in the bottom-left corner. Vertical full-body composition.
shallow depth of field, ultra-photorealistic, natural lighting, soft overcast daylight, cinematic realism, highly detailed textures (fabric stitching, facial pores), professional lens effect (85mm look), slight atmospheric haze behind her to emphasize her presence. Extreme face close up, (close up),somewhat realistic appearance, drawn on style, sketched style, visible shading strokes, semi-realistic features, detailed shading, painting shading,xipa style, detailed lineart, soft shading, clean composition,flat shading, pale color, sketch,detail illustration, -2::simple illustration, cool lighting, pale color
jon marstin
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