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Mamá atareada
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- —Vámonos... Es casi la única orden que Nayeli le da al aparato. Kotomi quizás se preguntaría por qué molestarse en trasplantar la IA si interactúa muy poco con ella. No se lo pregunta: se queda dormida mientras arrulla a su hijo. Ha aprendido a dormir aferrada a su cuerpecito, como cuando le enseñaron a dormir abrazada a su arma. De poco le vale que el niño esté particularmente tranquilo: la media hora de camino es como un parpadeo. Debe pelear con el crío para meterlo otra vez en la mochila. Con su madre echándole miradas severas por cada segundo que tarda en ir a ayudar. —Hola, tía Tomoko... dame fuerzas, por favor. Susurra ante la virgen monumental que parece presidir el mercado, tan majestuosa y mística como cada madrugada. Pero Kotomi está demasiado cansada y acostumbrada a su figura como para contemplarla. Llegando al puesto, la nueva manta holográfica se activa y emite la animación de un oso preparándose para saltar a una olla hirviendo. Sobre tres mesas, un hombre duerme envuelto en cobijas y se despierta al escuchar el llanto de su hijo. Kenji Santiago Itou salta de la cama improvisada y se estira, antes de saludar a las mujeres y el androide. Kotomi no tiene manos libres para devolver el saludo; de tenerlas, de seguro le haría un ademán obsceno. Su presencia le provoca un enojo inmediato, por haberla embarazado, por su irritante entusiasmo. Se le pasa cuando ve en él un reflejo de su propio agotamiento. Él se apresura a quitarles peso de encima y entre los tres empiezan a desplegar el puesto. Pasan los minutos y los clientes ya hacen fila, algunos con termos, en espera de que el oso se dé un chapuzón en la olla. Kotomi apenas nota a los demás, reparte sillas y abre contenedores. Dando ocasionales miradas de disgusto al padre de la criatura. Él va de aquí para allá con el hijo a la espalda, con una energía que irrita a su mujer. "¿Y qué si te quedas a dormir aquí para hacer horas extras? Me dejas al niño a mi sola, cabrón holgazán...." Para cuando todo está en orden y se sirve el primer caldo de oso, Santiago desayuna. Le da leche a su hijo junto con la medicina y lo mete de nuevo en la mochila térmica. Atareada por la numerosa clientela, Kotomi ve al "mocoso traidor" meterse dócil en la funda, cuando con ella siempre está inquieto. Otra traición le exaspera cuando el padre cuelga al niño en la espalda de Tomo, "Ahí no lloras ni te retuerces, cabrón". El chiquillo mira el barullo a su alrededor, llevado por un androide que recoge y limpia las mesas. Los trabajadores saludan al bebé y le hacen caritas. Alguno, hunde su mano en la cúpula flexible y le jala los cachetes, hasta que el niño lo aleja a manazos y mordidas. "Pa' que se enseñe a defender", dicen. —Ya me voy mi amor. Las veo en la tarde... nos vemos, señora. Ellas se despiden de Santiago con gestos secos y ademanes rápidos sin dejar de atender. El hombre se devuelve y le da un beso en la mejilla a Kotomi, quien ya va a limpiar los primeros tazones sucios. Para cuando quiere regresar el beso, Kenji ya está de camino a su trabajo. Lo ve alejarse casi corriendo y luego ve a Tomo con el siguiente manojo de tazones usados. Y su bebé a la espalda, mirando un mundo que aún no entiende y que no se detendrá a esperarlos. La pregunta vuelve: "Apenas y veo a Kenji y este niño me está exprimiendo. ¿Por qué mierda lo hice?" Sin dejar de lavar, mira a su madre. Esa mujer que cargó con Kotomi bajo las bombas, que le dio de comer en medio de un bloqueo genocida. Esa que nunca se ha ufanado ni quejado de lo que tuvo que hacer para que ella viviera. Y recuerda el bautizo de su hijo, un trámite que realizó solo para complacer a su madre. ”¿Y esto para qué, si ya le pusimos nombre?" Eso pensaba, hasta que el padre dijo: "Y aún yo mismo me consumiré gustoso por el bien de vuestras almas..." No recuerda el contexto de la frase o quien la dijo, pero caló y le dio sentido al ritual. Gustosa sigue adelante, pues es lo mínimo que se espera de ella.
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A medium shot from a slightly low angle depicts a mature woman, Shen Ning Shuang, standing in a classical sect backyard kitchen. She is a tall, elegant woman of approximately 28 years old with a striking hourglass figure and K-cup breasts, though she maintains a poised and noble demeanor. She has long, straight black-purple hair reaching her waist, partially tied with a white jade hairpin, with some strands falling naturally over her shoulders. Her pale skin contrasts with her sharp, light-purple phoenix eyes and a cool, distant expression that holds a hint of helplessness and tenderness.
She is dressed in a mature home-style outfit consisting of a black long-sleeved form-fitting top, a long black skirt, and a long black apron tied with a simple bow at the waist, through which her curvaceous silhouette is subtly visible. Her hands are resting naturally on a stone table. The background is a traditional wooden kitchen with stone tables, teapots, and steaming hot food. Warm afternoon sunlight streams through the window, illuminating the dust particles in the air and creating a serene, domestic atmosphere with a soft, high-quality anime illustration style.
Carre Yang
ユウカ、クッキングチャレンジ！
secret吉
味見
rainos taid
(masterpiece:1.35), (best quality:1.35), (ultra detailed:1.3), (highly detailed anime illustration:1.3), (cinematic anime composition:1.25), (beautiful painterly rendering:1.25), (stylized lighting:1.25), (soft luminous effects:1.2), (character:raiden_shogun:1.4), (cute but serious:1.35), (beautiful face:1.3)
Raiden Shogun, adult woman, long violet hair, elegant bangs, beautiful purple eyes, refined facial features, calm focused expression, slightly stern but adorable, serious while cooking yet naturally cute, subtle blush, graceful posture
wearing a simple attractive home outfit, (casual sleeveless top:1.3), (short comfy home shorts:1.3), soft fabric, tasteful fitted indoor clothing, stylish but domestic, elegant loungewear, cute homewear, not armor, not kimono, not formal outfit
inside a normal everyday kitchen, (ordinary home kitchen:1.4), standard kitchen stove, normal household metal cooking pot, kitchen counter, cabinets, sink, tiled backsplash, small jars, utensils, soft lived-in kitchen details, believable domestic setting, no fantasy architecture
main focus on Raiden and the pot, (Raiden close to camera:1.35), medium shot, slightly low angle or eye-level cinematic framing, character-dominant composition, the pot large and clearly visible in the foreground, kitchen background secondary and supportive
Raiden is cooking a bizarre strange dish with full seriousness, holding a normal ladle and stirring the pot, one hand near the pot or holding the pot handle, natural hand pose, correct anatomy, elegant fingers
inside the ordinary pot: (weird magical stew:1.35), clearly visible strange ingredients, (snake head:1.25), (spider legs:1.25), (bat wing:1.25), unusual mushrooms, mysterious herbs, roots, strange vegetables, bubbling broth, glowing soup surface, steam, chaotic but readable contents, visually rich and detailed, strange but playful rather than disgusting
visual style inspired by the reference mood: high-end anime poster feel, soft glowing highlights, vivid polished colors, dreamy but sharp rendering, subtle dynamic effects, delicate steam trails, floating spark-like particles, gentle motion in hair and clothes, glossy reflections on the pot, painterly color transitions, stylish cinematic energy
lighting: (beautiful cinematic lighting:1.3), bright stylized indoor lighting, soft cool ambient light mixed with warm stove light, attractive rim light on hair and shoulders, subtle reflections on skin and pot, glowing highlights, clean shadow transitions, atmospheric steam illuminated by the light
mood: cute-serious, elegant, slightly absurd, stylish, charming, magical domestic chaos, confident, composed
composition priority:
(Raiden’s face and expression:1.4),
(Raiden’s upper body and home outfit:1.3),
(the ordinary pot and its contents:1.35),
(the kitchen setting as support:1.1)
high detail face, high detail hands, high detail pot contents, high detail kitchen props, anime key visual quality, no text, no watermark,High quality,best quality,colored lines,colored line art,vibrant,thin line art,ethereal,cinematic lighting,anime character illustration,painterly rendering,highly detailed eyes,delicate lineart,soft lighting,decorative accessories,elegant fashion design,pastel and vibrant color palette,floral motifs,dreamy atmosphere,polished digital painting,high detail,illustration by modern anime artists,harmonious palette,colored shadows,limited palette,color scripting,accent colors,fantasy,Artist: @Nami_ii01,masterpiece,best quality,ultra detailed,soft eyes,gentle expression,smooth shading,soft lighting,Luminous,pastel,high-key,vibrant,iridescent,gradient,glowing,soft-shaded,sun-drenched,saturated
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