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Wrestle Angels, Wrestle Angels Survivor
Show Parameters
- Original Prompt
- NSFW, ONLY2girls ,Wrestle Angels style, 在摔角擂台,無觀眾 character2與character2呈現對面座位姿勢 Character 1上半身向Character 2前倾 Character 2頭部後仰 Character 1 低頭 Character 2 眼眶泛淚 Character 2 疲憊 Character 1 坐在Character 2上面 Character 1 單手扶在Character 2的後腦 Character 1 親吻Character 2 Character 1 戲謔的笑容 Character2 熟睡 Character2雙手無力下垂 Character2 雙眼緊閉 Character2 全身無力 (Character1:フレイア鏡(レッスルエンジェル),銀白色超長直髮、長瀏海(額頭不露出)、紅色眼睛、細長上挑眼型、成熟御姐氣質、帶挑釁感的微笑、纖細高挑身材、豐滿胸部、性感冷艷風格 黑色緊身連身摔角服、束胸馬甲式設計、立體胸型剪裁、半透明薄紗腹部、深V開口、露腹設計、高衩連身衣、貼身皮革質感 無肩設計、手臂白色毛絨裝飾、白色毛絨袖口與臂環、白色毛絨腿環裝飾 黑色過膝長靴、絲襪材質、腿部修長強調 黑色頸圈、紅色寶石吊飾、金屬細鏈裝飾、腰側垂鏈配件 哥德風、性感惡魔系、成熟動漫女性：0.8） (Character2:小川ひかる(レッスルエンジェル) Hikaru Ogawa(Wrestle Angels)腹部大面積裸露， Masterpiece, best quality, a beautiful female wrestler, short blue hair, blue eyes, smiling, wearing a complex geometric red and yellow cutout wrestling bodysuit, white wristbands, cross-straps on arms and thighs, athletic body, )
- Quality Tag
- high quality, year_2025, year_2024, ﹝Prompts﹞
- Size
- 670 x 1024
- Sampling Steps
- 19
- Sampling Method
- Euler
- CFG Scale
- 4
- Negative
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name,no hair swaps, no color swaps, no outfit sharing, no character merge,
Model & LoRA used
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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