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AI artwork featuring #Hatsune Miku, #Vocaloid and #Mesmerizer
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Hatsune Miku, Vocaloid

#Hatsune Miku#Vocaloid#Mesmerizer
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character: hatsune_miku, mesmerizer_(vocaloid), A medium shot captures Hatsune Miku in a dynamic three-quarter view standing in a sunlit wild meadow filled with colorful origami paper confetti swirling in the strong daylight. She poses confidently with both elbows bent at 90 degrees, left hand raised to her forehead with palm facing outward showing an open hand, right hand held before her stomach with back of hand facing outward also open, winking her left eye with a joyful, self-assured grin revealing excitement. Miku features bright turquoise twintails hanging straight downward without side shift, black eyebrows, turquoise eyes with large diamond-shaped highlights, wearing a blue top with thin white stripes, massively puffed sleeves ending in white cuffs, white chest panel accented by red line markings, fluffy turquoise medium skirt overlaid with white maid-like apron panel, blue visor with thin white lines, and a red-white striped ribbonless bow diagonally on her head. Vibrant anime illustration style with great quality, best quality, intense sunlight casting sharp shadows and lens flares, vivid color palette, lively and triumphant atmosphere.
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Original Prompt
ボーカロイドキャラクター「初音ミク」 メズマライザーミク 髪型 明るい水色のツインテール　髪は横にずれず下に向かう 顔 黒い眉毛　水色の瞳　瞳のなかに大きなダイヤ型のハイライト 服装 青の服　細い白いしま模様　袖元が大きく膨れ上がる　袖先が白色　胸元に白い箇所(赤い線じるし) ぼわっとしている水色のミディアムスカート　スカートの上にメイドの白い箇所 装飾 青色のバイザー　バイザーに白い薄い線　赤と白の縞模様の紐無しリボンを頭の斜め横 姿 左手を頭のおでこの前に連れてきて手を開く(手のひらを見せる) 右手をお腹の前に連れてきて手を開く(手の裏を見せる) 両肘を90度曲げる 自信満々　楽しそう　ウィンク(左目を閉じる) 背景 野原　折り紙のカラフルな紙吹雪　つよい日差し
Mode
ultra
Size
912 x 1536
Negative
worst quality, photorealistic, bad anatomy, blur, low resolution

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
18.80k

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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