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userart7573

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1girl, pov, tentacle monster, first person perspective, pov: tentacle, large tentacles, pink skin, suckers, fiona gilman\(identity v\), priestess\(identity v\), viking witch outfit, gold headpiece, holding round disk with flower pattern, purple dress with gold trim, wide sleeves, tattered skirt, green skirt, long hair under hood, medium-length braid, orange hair, curved ram horns, barefoot, hair over shoulders, gold-trimmed accessories, horned headdress, jewelry, hooded, black lipstick, emerald belt, veil, fake horns, dirt stains, gold anklet, toe ring, dirty feet, seductive, alluring, sexy, flowing skirt, kneeling, praying, hands clasped, head bowed, tentacle touching face, dark lake, moonlight, eerie ripples, broken canoes, torn fishing nets, muddy shore, dried seaweed, scattered shells, distant windmill silhouette, destroyed thatched hut, huge pale full moon, thick clouds, dusty colors, white light contrasts, noise effect, luxurious clothes, beautiful jewelry, sophisticated look, soft light, shine
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Original Prompt
画面有两人,女人和触手怪物各一个,。图片显示观众以触手怪物的视角观察女人,只出现触手怪物的大触手,凭空出现的大型章鱼触手,第一人称视角(POV)。画面前景清晰可见大型章鱼触手。{触手的特征是有吸盘,表皮粉色} (女人:这是游戏《第五人格》中的角色祭司,她的名字是菲欧娜·吉尔曼 图片展示了一位身穿维京风格女巫服装的女性,额头上戴着有金色头链的头饰,手中握着一个带有花图样的圆盘,1个女孩,单人,紫色金边宽袖,紫色袖子,上衣,破损的半身裙,绿色半身裙,长发在兜帽里面,手持物品,中等长的辫子,橙发,半弯曲的羊角,赤脚,头发披在肩上,金边装饰,有角的头饰,紫色连衣裙,珠宝,头戴兜帽,黑色口红,绿宝石腰带,面纱,假角,脏迹,金色脚链,脚趾环,脏脚,魅惑,诱人,性感,飘起的半身裙,) 环境细节:水面:漆黑的湖水在月光下泛着诡异的微波,水面漂浮着几艘破败的独木舟残骸和破碎的渔网。 岸边:泥泞的滩涂,散落着干枯的水草和被冲刷上岸的贝壳。远处隐约可见一座孤立的麦田风车剪影,以及被飓风摧毁的茅草屋骨架。天空中悬挂着一轮巨大的、苍白的满月,月光穿透厚重的乌云洒下。 女人双膝跪地,双手相合,低头祷告,面向观众,触手贴在女人的脸上,看到女人的头顶
Size
614 x 1024
Sampling Steps
30
Sampling Method
Euler a
CFG Scale
5
Negative
lowres, (worst quality, bad quality:1.2), bad anatomy, sketch, jpeg artifacts, signature, watermark, old, oldest, censored, bar_censor, simple background, conjoined, futanari, dark-skinned male, body hair, pubic hair, sagging breasts, flat chest, medium breasts, steam, sweat,单人,独奏

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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