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- Original Prompt
- DESIGN IN1 young stylized human female, full body visible, high-angle view (camera above head level, angled downward), dynamic diagonal reach pose, unstable transitional motion, weight shifted backward. HEAD Face shape: small oval Skin: light Eyes: large round-almond hybrid; teal-green irises Eyewear: thin-framed glasses Hair: very long; flowing past waist; soft wavy ends; gradient blonde to pink with subtle green tint at tips Fringe: parted bangs with soft irregular strands Head accessories: none Expression: playful smirk; lips slightly parted; confident mischievous tone Head position: tilted slightly backward; rotated toward extended arm; gaze aligned along forward reach axis Hair behavior: trailing backward opposite to reach direction; strands extended due to motion BODYTYPE Build: slim, stylized proportions Proportions: long legs relative to torso Limbs: slender human arms and legs Surface details: smooth skin Center of gravity: shifted backward toward rear leg POSE STRUCTURE (P-01 โ Extended Reach / Diagonal Pull) Action state: dynamic standing reach with transitional instability Lower body: โ Rear leg bent supporting main weight โ Front leg extended forward and downward โ Feet unevenly spaced; diagonal stride Upper body: โ Torso leaning diagonally backward โ Chest open; shoulders asymmetrical Arms: โ Forward arm fully extended outward; hand open with tension โ Rear arm bent near torso providing counterbalance Spatial emphasis: โ Extended arm + forward leg define main action axis Temporal state: mid-action UPPER CLOTHING Primary garment: strapless gothic corset top Material: structured fabric Color: black Details: โ fitted bodice โ small central decorative element near neckline Interaction with pose: โ fabric tension across torso due to backward lean LOWER CLOTHING Garment: flared skirt Material: layered fabric Color: alternating red and black panels Details: โ high waist with belt โ pleated structure โ dynamic hem Interaction with pose: โ skirt flaring backward due to motion โ panels separated by directional inertia LEGWEAR โ thigh straps with buckles on upper leg โ asymmetrical strap placement Interaction with pose: โ straps angled due to leg extension FOOTWEAR Type: high-heeled boots Material: leather-like Color: black Structure: โ mid-calf height โ multiple horizontal straps and buckles โ stiletto heel Pose interaction: โ rear foot planted โ front foot extended forward with reduced load ACCESSORIES โ black choker with small emblem โ long detached arm sleeves (black) Interaction with pose: โ sleeves stretched along arm extension .,persona, soejima_shigenori, tongue out, close view, face focus,ratatatat74
- Quality Tag
- ๏นPrompts๏น, beautiful anime aesthetic, very aesthetic, high definition, amazing quality, masterpiece, best quality, very aesthetic, highres, absurdres, sensitive
- Size
- 736 x 1096
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 3
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Face Fix
Model & LoRA used
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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