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- Size
- 768 x 1280
- Sampling Steps
- 25
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, deformed, mutated, ugly, disfigured, poorly drawn face, poorly drawn hands, bad proportions, extra limbs, cloned face, gross proportions, malformed limbs, missing arms, missing legs, extra arms, extra legs, fused fingers, too many fingers, mutated hands, poorly drawn feet, bad feet, multiple views, broad shoulders, wide shoulders, normal shoulders, muscular shoulders, square shoulders, gold trim, gold buttons, ornate blazer, light blue blazer, black blazer, green blazer, sailor uniform, ribbon instead of tie, overly detailed jacket, princess connect uniform, pripri uniform style clothing, static pose, symmetrical composition, centered framing, frontal pose only, boring pose, stiff pose, mature female, large breasts, medium breasts, fluffy ponytail, voluminous ponytail, large ponytail, thick ponytail, big hair tie, loose ponytail, messy hair, muscular, fat, chubby, old, elderly, beard, male focus, penis, multiple girls, 2girls, flat face, wide face, horizontally stretched face, squashed face, deformed face, asymmetrical face, long face, elongated face, vertically stretched face, gold trim, ornate blazer, static pose, symmetrical composition, centered framing, flyaway hair, stray hair strands, hair flips, outward hair flick, hair sticking out near eyes, messy side hair, hair strands over face, hair bouncing near cheeks, voluminous side hair, messy bangs, disheveled hair, gold trim, ornate blazer, static pose, symmetrical composition, centered framing, flat face, wide face, horizontally stretched face, squashed face, deformed face, asymmetrical face, long face, elongated face, vertically stretched face
Model & LoRA used
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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