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- Original Prompt
- 1人の可憐で中性的な美しさを持つ若い女性のポートレート。 正面寄りの落ち着いた構図で、静かで上品な雰囲気。 髪は淡いアッシュブロンド〜プラチナベージュ系のセミロング、内巻き、 柔らかく滑らかな質感で、毛先は自然に内側へ流れる。 前髪は長め、繊細で儚げな印象。 細い毛束一本一本まで丁寧に描写。 瞳は大きめで、淡い青〜薄い碧系。 柔らかな光を含んだ透明感のある表現で、穏やかで感情を抑えた静かな眼差し。 肌は明るくなめらかで、均一かつ自然な陰影。 過度な赤みを抑えた上品で清潔感のある質感。 衣装は白を基調としたクラシカルなワンピース。 繊細なレース装飾とフリルが丁寧に描き込まれている。 布の柔らかさやシワの流れも自然でリアル。 首元から鎖骨にかけてのラインは自然で美しく、上品な範囲で表現。 背景は淡い色調で、装飾的な窓やレリーフのような模様。 全体の雰囲気は柔らかく静謐で、人物を引き立てる。 ライティングは柔らかな拡散光。 髪・肌・衣装に均一に回り込み、透明感と立体感を強調。 高解像度、超精細描写、歪みのない正確な人体構造。 繊細な線画、滑らかなグラデーション塗り、, cinematic coloring, cinematic background, cinematic lighting, intricate details, --quality 2 --q 2 --stylize 750 --v 6 --ar 1:1 --seed 123456789,extremely detailed eyes, individual hairs visible, embroidered fabric threads, flat color, thick outlines, bold outlines, thick lineart, heavy outlines, crisp lineart, best quality, ultra-detailed, Fem
- Quality Tag
- ultra detailed,anime style,high resolution,sharp focus,clean lineart,delicate shading,soft lighting,cinematic lighting,smooth skin, ﹝Prompts﹞, masterpiece, best quality
- Size
- 768 x 1280
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 3
- Negative
- lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Model & LoRA used
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Show more陽光差し込む白いドレス・ブロンドの少女
かさねぎことは
も
Russia, nobility, ash blonde hair, long hair, wavy hair, cute, baby face, long eyelashes, ash blonde eyelashes, innocent, tomboyish, haughty, blue eyes, anime style, polished anime rendering, detail illustration, expressive lineart, flat shading, cool lighting, high-quality anime illustration, highly detailed rendering, cel shading, delicate features, detailed eyes, detailed hair, delicate lineart, painterly, sketch, anime illustration, detail illustration
ももも
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user-2021878465431858115
白銀に輝く彼女の美しさ
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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