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フレデリカ frederica Re:ZERO Re:ゼロから始める異世界生活 リゼロ
Show Parameters
- Size
- 768 x 1280
- Sampling Steps
- 8
- Sampling Method
- Euler
- CFG Scale
- 1.8
- Negative
- bad quality, low quality, worst quality, lowres, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
Model & LoRA used
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1girl, takamiya rion, nijisanji, purple eyes, twintails, hair between eyes, hair bow, {best quality}, {very aesthetic}, {ultra-detailed}, {best illustration}, 8k, covering chest, soft skin, jitome:1.3, white bath towel wrapped securely around body, sitting on bed, fully covered, modest pose, non-sexual, relaxing after bath, peaceful atmosphere, looking at viewer
parettar#0
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akai haato, hololive, 1girl, reclining, on bed, soft diffused lighting, looking up, sleepy expression, inviting expression, scattered silk pillows, high-contrast lighting, 8k resolution, cinematic composition, depth of field, intimate atmosphere, natural atmosphere, happy, wet, from above
makineko7
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character: klaudia_valentz. A medium shot from a slightly high angle shows Klaudia Valentz sitting on the edge of a soft bed within a dimly lit bedroom at night. She is a young woman with long, flowing blonde hair styled with a braid and a delicate hairband, looking directly at the viewer with a shy, blushing expression and sparkling green eyes. Her lips are slightly parted. She is dressed in a simple white camisole that accentuates her cleavage and breasts, with the thin straps resting on her shoulders. She rests her hands gently on the quilted surface of the bed beside her. The bedroom is cozy, featuring wooden furniture and soft fabrics, with the atmosphere rendered in a quiet, nocturnal mood. The lighting is soft and warm, casting gentle shadows across the room, with a high-quality anime illustration style characterized by clean lines and smooth color gradients.
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