📢 Login Issue Resolved — Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known ser…

View details

School Spring Uniform No.20(Sayuri Kawamura)

■ 角館桜彩堂高等学校(かくのだておうさいどうこうとうがっこう)※架空 所在地:秋田県仙北市角館町(武家屋敷通り周辺) 歴史ある武家屋敷と枝垂れ桜に囲まれた角館に位置する本校は、「和の美意識と現代教育の融合」を理念とする共学校です。四季の移ろいを身近に感じられる環境の中で、落ち着きと品格を重んじた教育が行われています。 ⸻ ■ 生徒数・男女比 ・生徒数:約780名 ・男女比:男子47%/女子53% 中規模校ならではの穏やかな校風と、地域との深い結びつきが特徴です。 ⸻ ■ 制服デザイン(女子) コンセプトは「和モダン × 清楚エレガンス」。秋田美人を象徴する透明感と上品さを表現しています。 ホワイト基調のセーラーワンピースは七分袖仕様で、軽やかさと落ち着きを両立。淡い水色の襟と繊細なラインが清楚な印象を与え、胸元のピンクリボンが柔らかな可憐さを添えます。フレアスカートは自然に広がり、歩くたびに優雅な動きを生み出す設計です。 ⸻ ■ 小物・装い ・ブラウンレザーのスクールバッグ(手持ち) ・ショートブーツ(冬季〜春先)/ローファー(通常)/パンプス(条件付) 履き物は季節に応じて変化し、冬季から春先は積雪・防寒対策としてシンプルなショートブーツを着用可。春以降はローファーを基本とし、低ヒールのパンプスも所作教育の一環として認められています。 ⸻ ■ 校風・特徴 礼儀や所作、日本文化への理解を重視し、「静の美」と内面の成長を育む校風。地域文化と関わる学びも充実しています。 ⸻ ■ 学校の強み “地域文化と融合した感性教育” 角館の歴史や景観を活かし、美的感覚や表現力を自然に養える点が強みです。 ⸻ ■ 総評 角館桜彩堂高等学校は、自然と伝統に寄り添いながら、清楚で品格ある人材を育てる学校です。制服と環境が調和し、“秋田美人”の魅力を体現する学びの場となっています。

More to See

Comments

Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
Hidden by author
Face Fix
HiRes

Model & LoRA used

Similar Images

Show more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬