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綺麗なポルナレフ
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- Original Prompt
- 1guy, solo, ジョジョの奇妙な冒険3部スターダスト・クルセイダーズジャン・ピエール・ポルナレフ, ジョジョの奇妙な冒険3部スターダスト・クルセイダーズジャン・ピエール・ポルナレフの衣装, グレー髪, カッコいい決めポーズ, 色は白黒のみ使ってください, 黒鉛筆スタイル, シンメトリー, グレー画面 background, looking at viwer, (close up:2.0), (from above:1.2), poster style, looking at viewer,髪を美しく,目を美しく,顔を美しく,鼻を美しく,口を美しく,眉を美しく,美しい,kawaii,萌え,high quality, clear details, dynamic angle, high dynamic range,(Masterpiece:2.0),(ultra detailed:2.0),(best quality:2.0),(close up:2.0),(16k,Ultra HD),(ultra detailed background:2.0), 最高品質,名画,最高傑作,より詳細な,より精密に,超高解像度,16K解像度,きめ細やかな肌に,背景をより細やかに,非常に精密な描画,超精密描写,美しい構図,洗練されたデザイン,雰囲気重視の空気感,目の反射表現,接写風(マクロ),細かなテクスチャ,超シャープな線,微細な描写,細部に描写,非常に詳細な描写,極度に精密,絶妙な,非常に書き込みが多い
- Mode
- ultra
- Style
- Sharp Ink
- Size
- 1024 x 1024
- Negative
- worst quality, photorealistic, bad anatomy, blur, low resolution
Style: Sharp Ink
Model & LoRA used
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ゆみ
effortless tied-up hair, Sengoku warlord style hair with long black hair tied roughly at a low position, hair flowing naturally along the neck, bangs naturally hanging over the forehead, thick and unkempt eyebrows, sharp eyes, tanned skin, rugged and masculine facial features, sturdy build, broad shoulders, powerful arms, rough and wild atmosphere, imposing adult man, 38 years old, hakama, shiny skin, semi realistic, ivorywhisper, masterpiece, best quality, masterpiece, sketchy, cel shading, delicate features, 2d illustration, detailed illustration, detailed eyes, muted colors, soft lighting
ゆみ
雲
{masterpiece,8K,art cg, ultra-detailed, an extremely beautiful}
{sharp focus, perfect anatomy, perfection,}
, ,samurai, male,stylish,detailed,artistic shadow,looking at viewer, katana, ,close up neck,
雲
白髮龍紋武士・浪人劍客
Evita
High-resolution realistic anime character illustration, masterpiece, 1boy, white hair, tied hair, beard, green eyes, sharp eyes, green kimono, sword on waist, magical sword, green earing, neutral expression, granblue fantasy (style)
Niky Zete
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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