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1male, solo, bodybuilder, toned_body, muscular, full_body, underwear_being_yanked_offscreen, full_body_in_image, underwear_being_yanked_off_screen, longer, wider, stroking_dick, dick_whipped_out, hands_around_dick, stroking_it, masterchief_(halo), helmet, visor, power_armor, wedgie, butt_crack, ass, underwear, stretched_underwear, long_underwear, aftermath_wedgie, crunched_up_underwear, sagging_underwear, exposed_underwear
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Original Prompt
1male, solo,bodybuilder, tone body, muscular , , full body, underwear being yanked offscreen, full boy in image, underwear being yanked off screen, longer, wider, stroking dick, dick whipped out, hands around dick, stoking it
Size
1280 x 992
Sampling Steps
16
Sampling Method
Euler a
CFG Scale
5
Negative
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

Model & LoRA used

Haruka v2 - AI Model cover image

PixAI XL

Haruka v2
24.57k
Master Chief Petty Officer John-117 (Halo) SDXL LoRA [Pony] - AI Model cover image

User LoRA

Master Chief Petty Officer John-117 (Halo) SDXL LoRA [Pony]
28
Wedgie Aftermath - AI Model cover image

User LoRA

Wedgie Aftermath
79
aftermath wedgie - AI Model cover image

User LoRA

aftermath wedgie
22

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AI artwork
cs
character: eva_00, artist: blackwhiplash 1mecha, solo, from behind, from below, backshot, looking back, over-shoulder glance, large butt, thick thighs, wide hips, narrow waist, exaggerated proportions, yellow-orange armor, white armor, dark grey undersuit, cyclops, single red eye, glowing eye, mechanical joints, shoulder pylons, weight shift, hand on hip, bold outlines, thick lineart, graphic shading, cel shading, glossy armor, high contrast A low-angle three-quarter rear shot focuses on the towering, voluptuously proportioned humanoid mecha standing with its back to the viewer. Its chassis features an exaggerated pinup silhouette with an extremely narrow mechanical waist flaring into massive, rounded buttock plates and exceptionally thick, contoured thighs encased in segmented orange and off-white armor plating over a dark flexible undersuit. The mecha shifts its weight heavily onto its left leg, pushing the wide armored hip outward to accentuate the rear curvature. Its left segmented mechanical hand rests against the outer curve of the flared thigh, while the upper torso twists backward at the spine. The smooth, helmeted head is cranked sharply over the left shoulder pylon, aiming its solitary circular crimson optical sensor directly back at the camera with a brilliant glowing glare. High-intensity directional studio light from the upper flank casts razor-sharp, two-tone cel-shaded drop shadows beneath the swell of the armored hips and leaves crisp, glossy white specular rim highlights curving along the polished plates. The linework is executed with heavy, pitch-black outer contour inks and graphic precision against a minimalist, pale neutral grey studio backdrop. Graphic and imposing pinup power.
Crab Skits
#Neon Genesis Evangelion

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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1#Attack on Titan#Mikasa Ackerman
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