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#collar#brown hair#Cat tail#Aqua eyes#Girl#Cat girl#Kinako#Animal Collar
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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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Avatar image of 神羽一光-休伯利安號上的變態艦長&變態御主-Pan Hongming(Google帳號1)
artist: ling_xiaoyu, character: ling_xiaoyu, A medium shot from a side angle captures Pan Ziyu in her modern home kitchen during a moment of physical distress. She is a mature woman with a refined face, brown eyes, and long black hair with purple-red tips, featuring feline ears and a matching cat tail. She is heavily pregnant with a massive, tight, and spherical full-term triplet belly with a prominent outie belly button. She wears comfortable domestic clothing under a kitchen apron, her J-cup breasts creating a deep cleavage. Pan Ziyu is leaning over a kitchen sink, her hands gripping the edge of the counter as she suffers from pregnancy morning sickness, captured mid-action as she vomits a small amount of breakfast. The background is a clean, high-end kitchen with a countertop and various cooking utensils, with soft midday light illuminating the scene. The atmosphere is a blend of domestic warmth and physical struggle, rendered in a high-quality anime illustration style with a soft, warm color palette.
神羽一光-休伯利安號上的變態艦長&變態御主-Pan Hongming(Google帳號1)
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Avatar image of 神羽一光-休伯利安號上的變態艦長&變態御主&琪亞娜·阿斯特拉(Alter)
character: kiana_kaslana, A medium shot, eye-level anime illustration depicts a mature, adult version of Kiana Astra (Alter) in a home kitchen. She is a Turkish Angora cat-girl with a voluptuous figure, featuring very large breasts and a prominent, full-term pregnant belly with a visible outie navel. She has long white hair with purple-red gradients at the tips, matching cat ears, and a cat tail with a purple-red tip. Her striking heterochromatic cat eyes—left sapphire blue and right topaz yellow—feature vertical slit pupils. She is wearing comfortable homewear under a clean apron, standing behind a kitchen counter. On the counter are plates of Kincho Manju and Naruto Kintoki sweets. She is leaning in slightly, about to taste her creations, with a gentle, maternal expression. The setting is a warm, sunlit domestic kitchen with soft lighting and a cozy atmosphere. The color palette is bright and warm, emphasizing a peaceful, slice-of-life mood with high-quality digital rendering and soft shadows.
神羽一光-休伯利安號上的變態艦長&變態御主&琪亞娜·阿斯特拉(Alter)

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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