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- Original Prompt
- 黑色顺直束发高马尾御姐，紫色眼睛，五官精致，露额头，两侧须发，身材匀称，巨乳细腰，黑白玄袍劲装+灰色纹路，发簪，青色束腰，眼神妩媚，表情受伤，露肩，肩膀有青白色的白莲纹身，手肘缠着灰纱，在中式房子里，坐在床铺上，翘着二郎腿，露脚趾，双手被麻绳捆绑并举在头上，有屏风，有中国剑（配剑鞘），细节精美，高分辨率（8K），高质量，画面清晰，背景精致，画面以人物为主体,
- Quality Tag
- high quality, year_2025, year_2024, ﹝Prompts﹞
- Size
- 768 x 1280
- Sampling Steps
- 25
- Sampling Method
- Euler
- CFG Scale
- 4.5
- Negative
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
Model & LoRA used
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syza
syza
艾
In a medium shot from a 3/4 view, a woman with an (older sister figure) but a (young girl face: 1.3) stands within the interior of an (ancient style wooden house background). She has (black hair) tied into a (high ponytail) that flows long behind her, and she is looking away with her (gaze drifting to the left) and her (slightly bowing head). Her (eye details) are accentuated by (light red eyeshadow). She is dressed in a (Chinese ancient style sleeveless pure white cheongsam) featuring a (black waistband), (off-shoulder) styling, and (white sleeves), which highlights her (huge breasts: 1.3) and (thighs). A sword with a (sword hilt wrapped in black cloth) is fastened to the left side of her waist. Her (hands are placed in front of her body), and she maintains a (dashing posture) with her (knees turned inward and slightly bent). The scene is rendered as a high-quality anime illustration, characterized by soft, natural lighting filtering through the wooden structure, creating a serene and traditional atmosphere.
艾斐克
Mikasa Ackerman
angiekoneko
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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